With every video we’ve produced so far in the “Lost Parks” series, we’ve aimed to add one piece of equipment to make them better than the previous episode. For instance, in the first three episodes, did you notice:
Pacific City – DLSR camera slider:
The “nostalgic” intro shots, all done via the slider.
Luna Park – GoPro Hero 2:
Even though we measured, this trolley came way too close to crushing this camera!
Manteca Waterslides – Camera crane / jib:
We won this in a Facebook contest – seriously!
And now, for our Santa’s Village episode, may we debut our latest addition…FLYING CAMERA DRONES!
Andy’s “Little Bird” flying camera drone. Photo by ACE NorCal, used with permission.
Aptly named “Big Bird” who did most of the heavy lifting for the shoot. Photo by ACE NorCal, used with permission.
Well, two to be precise, “Little Bird” and “Big Bird.” They’re proudly owned by Andrew Hansis, an ACE NorCal member, who couldn’t resist seeing what they could do for the Lost Parks series.
Turns out, it was a TON! Look for their shots in our latest episode – debuting December 9th, 2013!
For more info on the “Lost Parks” series – click here!
November 13, 2013 | Categories: Lost Parks, Television Production | Tags: ACE, aerial footage, american coaster enthusiasts, behind the scenes, camera, camera crane, camera drone, drone, flying drone, go pro, gopro, great american thrills, jib, kris rowberry, kristopher rowberry, lost parks, lost parks of northern california, Nor Cal, norcal, northern california, santa's village, scotts valley, slider, tv production | 2 Comments
No, that THAT type of POV pervs…I’m talking about roller coaster POV! (Sorry to disappoint you – but you DID read the blog subject, right?!?)
Have you ever watched roller coaster point of view video or POV online before? Lord knows I certainly have. Ever wondered why the videos are sometimes jolty or always start AFTER the ride has started? Today, I want to show you how to identify good coaster POV, bad POV and illegal ride POV.
You can watch the video here: http://youtu.be/UJ2GjHIOJvM
POV has been around since the dawn of the motion picture – but it really gained notoriety after it was featured in the 1950’s film “This is Cinerama.” It saw its greatest surge in the late 1990’s and early 2000’s, when Discovery Channel began featuring it regularly on Memorial Day. When Robb Alvey started producing on-ride videos from parks he visited, POV saw an even bigger surge. The internet is now awash with RIDE footage from thousands of users – thanks to cameras becoming smaller and more powerful. It’s become incredibly easy for anyone to film, well, anything. But does that make it right? Let’s find out…
Many parks have had to enact policies that discourage loose articles, especially cameras. The Santa Cruz Boardwalk will stop the Giant Dipper on its lift hill if operators see someone with a camera or cell phone trying to recording video. Expect a greeting and escort from security if you whip it out after the lift, by the way.
So, how do you stop this dangerous practice and keep your fellow guests safe? Simple – stop supporting it. If you see any of the tell-tale signs of illegal coaster POV, don’t keep watching it – unsubscribe from that user’s YouTube channel. You’ll keep admission process down and keep the line moving!
June 21, 2012 | Categories: Amusement Parks, Television Production, Theme Parks | Tags: amusement park, amusement parks, behind the scenes, boardwalk, camera, cameras, cinerama, gat, go pro, great american thrills, hero hd, iphone, kris rowberry, liabilities, liability, point of view, POV, robb alvey, roller coaster, roller coasters, safety, sharp productions, television production, the comet, theme park, theme park review, theme parks | Comments Off on The Good, the Bad and the Illegal Coaster POV