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Posts tagged “behind the scenes

Busch Gardens’ Roller Coaster Insider Tour a Must for Thrill Seekers

If you’re looking for the ultimate thrill seeker’s dream – look no further than Busch Gardens WIlliamsburg, and their Roller Coaster Insider Tour.

For starters – you’ll get to ride to the top of Griffon, the park’s B&M Dive Coaster, via the emergency funicular. From 205 feet up, you’ll learn how the ride works and see some of the massive trains in the maintenance bay.

Then, you’ll head over to Alpengeist – where you’ll see how they transfer trains out of the maintenance bay – as well as how the magnetic brakes work.

From there, you’ll visit Verbolten – and get to peek inside the darkened show building. Trust me, it’s a treat despite being a bit dark.

Finally, you’ll end up at Loch Ness Monster, learning incredible facts about the world’s only interlocking loop ride and how one section of track is particularly special.

Still not sold? Check out this video from the park:

Did I mention you get to ride all the coasters after learning all about them? So what are you waiting for?!? To book the tour, visit www.BuschGardens.com for details!

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The Arrow Dynamics Pipeline Coaster – This Week’s Throwback Thursday

Today’s Throwback Thursday is a rare gem!

Arrow Pipeline Coaster

Presenting the Arrow pipeline concept – a roller coaster that stood for many years in Arrow’s Clearfield, UT plant. However, it never made it into a park (although Intamin would make a similar design in Asia several years later).

This video shows the process of testing and some rare POV of the ride as well – anyone want to get in line to be the first riders? Don’t forget to check out our documentary project on Arrow Development by following American Coaster Enthusiasts on Facebook!


Insane Coaster Wars debuts new season, but still needs some off-season rehab

After filming all last summer, Indigo Films‘ “Insane Coaster Wars” debuted it’s third season last night – and I can’t help but comment on their latest “effort.”

The premise of the show, is a decent one – have people vote on specific aspects of certain rides, then rank them against other coasters around the world. Seems straightforward, right?

Experiencing a film date in St. Louis last summer.

At issue with most coaster and park enthusiasts (who make up a large number of the viewing audience) however, is the continued downgrade in quality of the traditional summer “coaster show” over the past few years. “Insane Coaster Wars” is just the latest in a string of low budget, low quality productions from powerhouses like the Travel Channel and Discovery. Just look at some of the reactions from last night’s debut:

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So what can this show do to make itself better in the eyes of it’s core audience? Read on:

 

1.) Stop hiring actors and talk to real “coaster enthusiasts”

Original screengrab by Dan Hower (who's also in the second row with Alyssa Schipani). Used with permission.

Original screengrab by Dan Hower (who’s also in the second row with Alyssa Schipani). Used with permission.

SPOILER ALERT: Television isn’t what it always appears. Multiple sources have confirmed to this website that the “coaster enthusiasts” featured in each segment are actually…wait for it…local actors found on Craigslist, hired for around $300 each.

Yup, Craigslist. Home to “Casual NSA Encounters” and apparently beautiful & young roller coaster junkies. Didn’t you wonder why those featured riders always seemed to speak really good english…in the middle of Taiwan and Costa Rica?

Those “friends from college” who “visit the park all the time” – it’s usually their first trip ever to these parks. Yet, the graphic in the lower third clearly says they’re “Coaster Enthusiasts.”

Last night’s episode featured two “coaster enthusiasts” who had never been to Kennywood – and in fact, had not been to a park, “in years.” True enthusiasts don’t take years off – they rarely take months off.

What’s even more ironic – if the production company wanted to save  up to $1200 per segment (and it’s obvious they do) simply stop hiring actors – just call on the local region of the American Coaster Enthusiasts – not to just fill the seats, but to TALK on camera. Not only are many of our members familiar with being interviewed – we’ll do it for FREE!

Some of the phrases that are used by these actors must also drive park managers nuts. Things like, “I felt like it was about to fly off the track,” or “I can’t believe I survived,” really make PR Managers have GREAT days. Simple rule to follow: Never mention death or dismemberment on TV when referring to amusement parks. You don’t say “bomb” at airports and on planes…

 

2.) Compare rides “Apples to Apples” 

Outlaw Run and La Avalancha? How are those two rides even remotely similar? (They do both loop, but they’re built completely different). The best way I can describe it – it’s like comparing apples to oranges. It’s as if the people in charge took suggestions from people who actually knew what they were talking about – then threw those papers up in the air, and randomly pulled out rides.

 

3.) Be wary of those who make money off parks

Robb Alvey – who was once the  “host” of the program –  has now been relegated to a “Creative Consultant” production credit off-screen (which is a major improvement in my humble opinion). That being said, his wife was featured on the premiere show as a coaster enthusiast, along with one of their friends. I’d call them non-actors, but both he and his wife have agents.

Now, doesn’t this scream nepotism to anyone else besides me? Then again, at least us true coaster enthusiasts know she actually is quite knowledgeable about the subject.  Too bad the producers edited her in a way that ensured she sounded just like any other clueless park guest.

Don’t even get me started on how his presence on the production team could directly influence his view count (and income) on his commercialized videos on YouTube…

 

4.) Allow park experts or bloggers to vote, not the general public

Let’s face it – most of these Craigslist actors (and indeed other park guests) don’t even know about the other rides they’re comparing, so how exactly can you compare them if you’ve never been on them…oh wait, isn’t that how the Mitch Hawker Poll runs? : )

 

Conclusion:

While the show did make some minor improvements and tweaks, it’s still the same copy / paste generic “coaster show” that’s polluted the airwaves for far too long. Yes, the POV is good, but it’s everything around it that just brings the show down.

If you’re looking to support a quality roller coaster / amusement park program, consider sharing our “Great American Thrills” concept with your favorite cable channel or production company. We promise the enthusiasts we feature – will actually know what they’re talking about:


“Lost Parks” Goes Vertical!

With every video we’ve produced so far in the “Lost Parks” series, we’ve aimed to add one piece of equipment to make them better than the previous episode. For instance, in the first three episodes, did you notice:

Pacific City – DLSR camera slider:

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The “nostalgic” intro shots, all done via the slider.

Luna Park – GoPro Hero 2:

Even though we measured, this trolley came way too close to being crushed!

Even though we measured, this trolley came way too close to crushing this camera!

Manteca Waterslides – Camera crane / jib:

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We won this in a Facebook contest – seriously!

And now, for our Santa’s Village episode, may we debut our latest addition…FLYING CAMERA DRONES!

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Andy’s “Little Bird” flying camera drone. Photo by ACE NorCal, used with permission.

Aptly named "Big Bird" who did most of the heavy lifting for the shoot. Photo by ACE NorCal, used with permission.

Aptly named “Big Bird” who did most of the heavy lifting for the shoot. Photo by ACE NorCal, used with permission.

Well, two to be precise, “Little Bird” and “Big Bird.” They’re proudly owned by Andrew Hansis, an ACE NorCal member, who couldn’t resist seeing what they could do for the Lost Parks series.

Turns out, it was a TON! Look for their shots in our latest episode – debuting December 9th, 2013!

For more info on the “Lost Parks” series – click here!


The People Behind “Lost Parks” and the Manteca Waterslides

Despite how it may look, there are many, MANY people who are involved in the production of “Lost Parks of Northern California.”

Without them, I would not be able to look as good as I do presenting it. With that, here are all the people it took to bring the Manteca Waterslides episode to life:

Al Garcia, Waterworld California: A big thanks goes to my longtime friend Al Garcia, who is the Marketing Sales Coordinator for the park. He gave us his personal stories of Manteca – in addition to allowing us to capture some unbelievable angles of the water slides in his park – including this particularly moist one. Visit his park (when it’s open) at: www.waterworldcalifornia.com

Roger Ross & Ryan Davies, California’s Great AmericaFor allowing us to film inside their Boomerang Bay water park and make that historical connection to the slides in Manteca, I am forever indebted to you both. Here’s hoping that we get to work together again soon, or maybe even catch a Sharks game together this season. Visit their park at: www.cagreatamerica.com

Mike Brown and the Entire Brown Family: Mr. Brown – thank you for giving us the opportunity to share your family story with us – and thank you even more for opening up to us about all the history you hold in your memories. I can always say that I hung out with the owner of the Manteca Waterslides, and bought him lunch, while we shared stories and went through old photo albums. We will wear our Manteca “Anniversary” hats with pride.

Debby Moorhead, Vice Mayor of Manteca: Debby was crucial to us tracking down and getting permission from the current owners of the slides, as well as a great interview and one of the few, genuine politicians we’ve ever met. Sounds like Manteca is THE place to be in the coming years…we can’t wait!

ProAM USA: There is no way we would have been able to capture some of the beautiful shots in this video without winning a Facebook contest from these guys. (Seriously, we actually won a Facebook contest and got a camera crane!) Our new DVC60 camera jib was put through it’s paces this episode and we cannot wait to see what else we create with it.

Oh, and we’d love to model some of your other products, by the way…

Robert Ingle: Those promotional photos of me in the slides “acting” were all captured by Robert – who’s got quite the eye for awesome photos. But, his real skill is to blend in so I don’t even realize he’s taking my picture. I think there’s a career for you at TMZ if you’re interested, Robert.

And for those of you wondering, it’s Robert’s face that closes out the first episode in the credit roll…

Taylor Evans: I’ve never had a script supervisor before – but if I ever can hire one, it would be Taylor. He kept me on track and motivated as best as the Costco hot dog I bought him for lunch. For such complex shots, he was able to let me relax and do my thing, while he made sure the script still made sense. He also was responsible for the “summer winding down” edit that we thankfully caught that day.

And finally, I’ve saved the best for last – and with good reason, too.

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Getting direction from Nicholas, with Taylor holding the sun reflector. (Photo by Robert Ingle)

I first met Nicholas Laschkewitsch a little less than a year ago – and I couldn’t have asked for a better person to partner with on this series.  We’re three episodes into this once “little” project – and he somehow continually finds ways to both amaze and astound me with his work, both as a cinematographer, video editor and field producer.

This, mind you – without any professional training or experience. Nicholas simply has an eye for good work – and I could not be more fortunate to have found him and work with him on this series. He is just as much responsible for the success of this series as I am in front of the camera and doing research. Here’s to many more fun projects with the best producer I could ever have asked for.

If you haven’t seen how all these people came together on this project – look no further!


Lost Parks Makes Major Connections!

Look who decided to give us a “like” on one of our behind the scenes shots from this past weekend:

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You can imagine my shock when I checked my Instagram feed this afternoon…

We’ll look forward to sharing more with you, Discovery Channel! But, we’d really like for you to come along for the ride with us! : )

Call us anytime – we’re only shouting distance away from M5i and the Mythbusters!


The Amazing People Behind the Scenes of “Lost Parks”

The forthcoming episode of the Lost Parks of Northern California was easily our most complicated – and yet it will be our most beautiful, too. But it’s not just me that makes it look good – it’s three talented individuals, Taylor Evans, Robert Ingle and Nicholas Laschkewitsch that make it (and me) look so good.

In addition – what you may not know – is that we’re not making any money on the project. In fact, we lose money on each and every shoot, whether from travel expenses, to material from historical societies – it all costs money. But, we think bringing these parks back to life is more about expanding our skills and more importantly, reclaiming our amusement heritage.

Without these folks behind the scenes, I wouldn't be able to complete this series!

Without these folks behind the scenes, I wouldn’t be able to complete this series! Photo by Ace Northern California, used with permission.

In addition, this upcoming episode would not have been possible without the efforts of the Mayor Pro Tem of the City of Manteca, Debbie Moorhead. Without her connections, we would have never been able to get permission to film at the slides final resting place. In addition, her interview at the Chamber of Commerce was just spectacular and was full of incredible information…

Wrapping up the interview with Mayor Pro Tem, Debbie Moorhead. Photo by ACE NorCal, used with permission.

Wrapping up the interview with Mayor Pro Tem, Debbie Moorhead. Photo by ACE Northern California, used with permission.

I knew working on this series would mean making connections to make it all work – I just didn’t think it would be so much fun to do it!

Producer Nicholas and I with our new favorite tool, a ProAm USA DVC 60 camera crane. Thank you Facebook contests!

Producer Nicholas and I with our new favorite tool, a ProAm USA DVC 60 camera crane. Thank you Facebook contests! Photo by ACE Northern California, used with permission.

Now, we jest need some production companies to sit up and start taking notice! C’mon guys, let’s hear from you sooner than later!