Yes, you read that correctly – I had the honor of being featured in a BBC News video released today about roller coaster technology and the “plateau” some say we’ve reached. (I don’t think we have, by the way).
The backstory behind this interview is just as intriguing –
I had already planned to attend Six Flags Discovery Kingdom’s “Ghoulish Gathering” VIP event last Friday. When the tram dropped us off at the front entrance, I noticed a OMB (One Man Band) setup, with a man struggling to cope with the sound of the many rides in the area. In hindsight, I should have gone over to offer my assistance – but I digress…
When I asked the Public Relations person at the event about the cameraman, she immediately said, “Oh, he’s with the BBC…I should introduce you to him!”
Pinch me.
After we grabbed a bite to eat at the event, I got to talking with Richard, who quickly found out (and said), “I should interview you…”
You had to ask?
Careful to make sure I didn’t step on any known “land mines” when you do interviews like this, Richard slapped a lav mic on me, and into the sun he pointed me!
Now, it should be noted, that short of begging, I did my best to convince the segment producer to stay longer, so my Lost Parks Producer, American Coaster Enthusiasts Asst. Regional Rep AND all-around quality news source on all things coasters, Nicholas Laschkewitsch could arrive to be interviewed as well – but sadly, Richard had to leave before Nicholas could arrive. Thanks, BART Strike…
But, for now, it’s yet another milestone in my journey to be in the world of television. “Great American Thrills” has officially jumped the pond and gone international…WOW.
Planning your weekend already? Don’t forget about my “Lost Parks” presentation at the San Mateo County History Museum at 1:00pm this Saturday.
Join me as I take you back in time to five different defunct amusement parks from the greater Bay Area, as well as explain why our history is so important to preserve. In addition, you’ll see how you can still experience pieces of these long gone parks in our modern world. See you there!
After several months of will they / won’t they open, the Santa Cruz Beach Boardwalk pulled a “Disney” and had a soft opening for their Undertow spinning roller coaster today.
The first reviews are already in – and everything points to positive so far!
The ride, a brilliant yellow with sea foam green supports, combines the sharp curves of a “wild mouse” with the uncontrolled, spinning action of a “spin n’ puke.” It is manufactured by Maurer Sohne, of Germany.
It is a historical throwback to the past as well – for many years, the park had a wooden wild mouse located on the present site of the “Logger’s Run” flume ride.
Undertow replaced the aging “Hurricane” steel roller coaster that debuted in 1993 in the same location.
Over the weekend, I reached a YouTube milestone I thought worthy of sharing.
I have eclipsed over 30,000 views on the channel since it was launched back in April of 2012!
While it’s certainly tiny in comparison to, say other channels on YouTube, it’s still a milestone to reach, then continue to grow from – and that’s worth celebrating.
Thanks to everyone for their continued support and viewing – I look forward to creating even more engaging content over the next year and a half!
Add to the view count – check out my YouTube and Vimeo channels!
In honor of Halloween’s approach, what better way to theme your own, personal Haunt than by using the complete, original 1980 soundtrack from the line of the Demon at both Great America’s.
Yes, the “Demon Song” has been online for some time – but not the whole, nearly 30 minute queue recording, so enjoy!
A word of warning – this track is seriously corny!
Chalk another one up to “progress,” everyone. The peninsula’s last remaining entertainment venue (not counting Hooters in San Bruno) will soon be nothing more than a bland office complex, joining many other “lost parks” here in the Bay Area and beyond. The current proposal is for three, eight story buildings, dubbed “Harbor View Place.”
Malibu Grand Prix closed last month after over 30 years in business – managers claim the land owner, Granite Rock, raised their rent significantly.
The site is now stripped of most lighting structures and salvageable items. Graffiti now adorns the castle and most of the site. We’re working with the land owner to see about potentially filming on the site. While technically not an “amusement park” by most standards, Malibu was the closest thing people had on the mid-peninsula to a family entertainment center, or FEC – so we’ll make an exception for it.
Inversions (or loops) on rides have been around almost as long as the roller coaster itself. But, have they lost their appeal and marketability recently?
First, a brief history lesson – inversions have been around for over a century. Sadly, not enough was known about physics and engineering back then to safely (and comfortably) take passengers through them.
The “Flip Flap Railway” punished riders with high, uneven g-forces.
Fast forward to 1975, and technology had evolved to the point that inversions were once again on the table, only this time – they were much more than just vertical loops; corkscrews (which are basically stretched out loops) made their debut at Knott’s Berry Farm with the aptly named “Corkscrew.” The ride still runs today at Silverwood Theme Park in Idaho.
Photo from the Orange County Archives.
Soon, many other elements, such as pretzel loops, barrel rolls and Immelmans were being performed on a regular basis. The stakes kept getting raised at parks, with more and more inversions going into rides. Currently, the record stands at 14 inversions on one ride.
With so many coasters with inversions – why are so few of them represented in national top ten lists? There are several possibilities:
1.) People are genuinely freaked out by loops –
There’s something about being tossed head over heels that hits at the psyche of the human brain. I would know – I refused to do anything that looped until 1993…
2.) Pre-1995 inversions had some rough transitions –
Turns out, it was quite difficult to engineer track to specifications that were ideal for inversions AND for regular track. While most companies managed, you can still tell when the computer didn’t quite “get it right” when the roughness gets a bit out of control.
3.) The restraint system used on many looping rides can feel restrictive –
Coaster enthusiasts and regular park guests love the freedom to move around. Who doesn’t want more legroom on a flight, right? Because most multi-loopers have what’s called an over the shoulder restraint (OTSR) or “horse collar” restraint, our bodies are restricted from any movement in the upper body.
Unfortunately, this leads to the ubiquitous “head banging” on many older looping rides with this style of restraint. Even older B&M coasters, lauded for their incredible levels of precision, can have headbanging moments with these types of restraints.
There is some credence to this theory – the Steel Phantom at Kennywood, which used to feature inversions when it debuted, was altered to remove them in favor of airtime hills and a simple, lap bar restraint system. The ride subsequently saw a resurgence in popularity.
What do you think? Are inversions over-rated or just misunderstood?
Despite how it may look, there are many, MANY people who are involved in the production of “Lost Parks of Northern California.”
Without them, I would not be able to look as good as I do presenting it. With that, here are all the people it took to bring the Manteca Waterslides episode to life:
Al Garcia, Waterworld California: A big thanks goes to my longtime friend Al Garcia, who is the Marketing Sales Coordinator for the park. He gave us his personal stories of Manteca – in addition to allowing us to capture some unbelievable angles of the water slides in his park – including this particularly moist one. Visit his park (when it’s open) at: www.waterworldcalifornia.com
Roger Ross & Ryan Davies, California’s Great America: For allowing us to film inside their Boomerang Bay water park and make that historical connection to the slides in Manteca, I am forever indebted to you both. Here’s hoping that we get to work together again soon, or maybe even catch a Sharks game together this season. Visit their park at: www.cagreatamerica.com
Mike Brown and the Entire Brown Family: Mr. Brown – thank you for giving us the opportunity to share your family story with us – and thank you even more for opening up to us about all the history you hold in your memories. I can always say that I hung out with the owner of the Manteca Waterslides, and bought him lunch, while we shared stories and went through old photo albums. We will wear our Manteca “Anniversary” hats with pride.
Debby Moorhead, Vice Mayor of Manteca: Debby was crucial to us tracking down and getting permission from the current owners of the slides, as well as a great interview and one of the few, genuine politicians we’ve ever met. Sounds like Manteca is THE place to be in the coming years…we can’t wait!
ProAM USA: There is no way we would have been able to capture some of the beautiful shots in this video without winning a Facebook contest from these guys. (Seriously, we actually won a Facebook contest and got a camera crane!) Our new DVC60 camera jib was put through it’s paces this episode and we cannot wait to see what else we create with it.
Oh, and we’d love to model some of your other products, by the way…
Robert Ingle: Those promotional photos of me in the slides “acting” were all captured by Robert – who’s got quite the eye for awesome photos. But, his real skill is to blend in so I don’t even realize he’s taking my picture. I think there’s a career for you at TMZ if you’re interested, Robert.
And for those of you wondering, it’s Robert’s face that closes out the first episode in the credit roll…
Taylor Evans: I’ve never had a script supervisor before – but if I ever can hire one, it would be Taylor. He kept me on track and motivated as best as the Costco hot dog I bought him for lunch. For such complex shots, he was able to let me relax and do my thing, while he made sure the script still made sense. He also was responsible for the “summer winding down” edit that we thankfully caught that day.
And finally, I’ve saved the best for last – and with good reason, too.
Getting direction from Nicholas, with Taylor holding the sun reflector. (Photo by Robert Ingle)
I first met Nicholas Laschkewitsch a little less than a year ago – and I couldn’t have asked for a better person to partner with on this series. We’re three episodes into this once “little” project – and he somehow continually finds ways to both amaze and astound me with his work, both as a cinematographer, video editor and field producer.
This, mind you – without any professional training or experience. Nicholas simply has an eye for good work – and I could not be more fortunate to have found him and work with him on this series. He is just as much responsible for the success of this series as I am in front of the camera and doing research. Here’s to many more fun projects with the best producer I could ever have asked for.
If you haven’t seen how all these people came together on this project – look no further!
In only a few, short years, Halloween Haunt at California’s Great America has gone from two “hand me down” mazes from Knott’s Berry Farm to easily the de facto Halloween event in Northern California.
Now with eight (8) mazes, three dedicated “scare zones” and enough fog machines and tinted lighting to make any rock concert jealous – the Haunt is now worthy of being up for comparison to the event that initially spawned it in Southern California.
The entertainment begins just as you enter the front gate to the park. Fire cannons (yes, you read that correctly) have been installed along the reflecting pool of Carousel Columbia. Never did I think I would feel the heat of flames on a relaxing ride like Columbia – then again, this IS Haunt. Consider walking into Carousel Plaza your “baptism by fire” to Haunt. The only thing that would make it better would be to run the carousel backwards.
To the right of the carousel, lies the first of two new mazes this year, “Dia de los Muertos.” As you can imagine, it’s a Latin themed maze, complete with Spanish-talking zombies and dizzying effects. The artwork alone makes the maze worth going into (and we STRONGLY recommend getting a pair of 3D glasses for $1.00 at the entrance). Those 3D glasses can also be used in the “CarnEVIL” maze in Orleans Place.
At the back of the park lies Zombie High, the other new maze for 2013. The building, which lies behind the Grizzly roller coaster, was built specifically for this maze, but I imagine it will double as a Haunt storage warehouse in the off-season. Considering all the material necessary to pull this event off now – it would make sense to expand the “backlot storage” the park currently has.
“Zombie High” is modeled after Shows Director, Clayton Lawrence’s old high school, down to the mascot. Of course, I’m guessing he didn’t have all the zombies and blood, there. See if you can catch all the inside jokes and macabre humor – just don’t upset the Principal.
The eight mazes and elaborate theming in the park would have been enough to placate most Halloween fans – but then California’s Great America did something celebrated by park fans and observers…they didn’t stop there.
Back in March, Park Spokesperson Roger Ross stressed that, “Cedar Fair is committed to California’s Great America. We’re replacing roofs…there’s fresh paint everywhere.” And you know what? He wasn’t kidding. That same spirit and drive to revive the park to it’s former glory and true potential is clearly evident in all aspects of the Haunt this year. Did you really need fire cannons at the front entrance? Not really – but who the hell cares – they’re freaking awesome!
In addition to the two new mazes and amazing theming throughout the park, Great America now offers a pre-scare meal, dubbed “Madame Maries Voodoo Chophouse.” The $22.99 add-on to your admission includes: early entry to the park, an all-you-can-eat, cajun-themed buffet, single “Fright Lane” entry to a maze of your choice and apparently very exclusive ride time on Gold Striker!
Now, most buffets at amusement parks are well – not worth writing home about. But, this meal included: fried catfish, creole, biscuits, prime rib(!) and soft drinks among other items. There’s even a chocolate fountain, complete with fruit and other dessert options. It shattered my notion of what I could eat an an amusement park outside of the Disneyland Resort. The park also offers a “Fright Feast” for $13.99, with more standard, picnic grove food options.
But the two new mazes, elaborately-themed buffet and exclusive ride time on Gold Striker was NOT the highlight of the night. That honor was reserved for the masterfully choreographed ice show, “Blades of Horror.”
Yes, you read right – an ICE show at a Halloween event. Stay with me, people…
A combination “Cirque” style show with an intriguing storyline, “Blades of Horror” is easily the best show I have seen at California’s Great America, going back to the KECO days of the late 1980’s.
The talent is largely local and according to many staff members, the show was largely driven by the performers simply wanting to keep performing. It has the look and feel of a large budget show you’d catch in any Las Vegas resort – and yet it’s right here, in the middle of Haunt. The acrobatics, aerials stunts and exhibitions of these actors is nothing short of spectacular. The grand finale alone is something that simply cannot be missed and may never be duplicated again.
There you have it – not one, but no less than five incredible reasons to visit California’s Great America and their burgeoning Halloween Haunt event.
As the days get closer to Halloween, it’s best to schedule your visit on either a Sunday or better still – visit as soon as possible. The crowds will only get larger as the holiday approaches, and so does the cost of admission.
Oh, and don’t show up to the park on Halloween – Haunt runs through October 27th.
Halloween Heads – it’s time to get out to California’s Great America – and get your scream on.
I am proud today to release our third episode in the “Lost Parks of Northern California” series, focusing on the “famous” Manteca Waterslides!
Learn how the modern water slide was born just off of Highway 120 in Manteca, where you can still go to experience pieces of the park today and why people still call the chamber of commerce, asking about the slides…nine years after the park closed for good.
This was on all accounts – the most difficult video we have produced thus far. The technical aspects alone were enough to make both myself and my producer, Nicholas Laschkewitsch throw a fit. But, we persevered – and are proud to show you our work of the past few months.
“The Lost Parks of Northern California” is produced in association with the American Coaster Enthusiasts, Northern California region. Learn more about them at: www.acenorcal.org
It’s both an honor and humbling to see your work in print – but to see it in the prestigious TIME Magazine – well, that’s just awesome!
Not only was I quoted several times in the piece, but two of my photos (El Toro and Bizzaro) were featured as the top two images! (I’m a little excited if you can tell)
Fans of classic roller coaster designs rejoice – one of the original looping coasters has received a new lease on life.
If you’re a hardcore roller coaster fan – you should instantly recognize the the motion being mimicked in this commercial – for the uninitiated, it’s the famous profile and movements of the Schwarzkopf Shuttle Loop.
Sadly, only half of the installations of this compact, but thrilling ride remain in the world today. The one we’ll be focusing on resides at Walibi World in Belgium.
The ride, originally called “Turbine,” had been closed since 2008, when parts simply ran out to repair the ride. (Schwarzkopf went under well over a decade ago). But the park had an idea – they contacted current coaster manufacturer Gerstlauer and asked, “Could you modernize the launch system on ‘Turbine’ to make it faster, more reliable and cheaper to operate?”
Turns out they could!
With a newer, more reliable launching system, utilizing all of the original track, mind you – Walibi went a step further, by giving the attraction an entirely new theme and completely enclosing the ride’s track. “Turbine” would enter the new millennium with a modern, linear induction launch system and be re-born as “Psyké Underground,” a dance club themed coaster.
Now at first thought, the theme might be a bit too much – a bit “over hip,” if you will. But after seeing the effects and how they work in tandem with the storyline of the ride – well, it WORKS!
For fans of this type of ride (and you know who you are), you’ll also be happy to know the ride still goes “all the way” up the back spike as well.
With the success of this transformation, my attention turns to another classic shuttle loop that has cheated the wrecking ball several times: “Montezooma’s Revenge” at Knott’s Berry Farm.
Because Schwarzkopf went out of business in the mid-1990’s, many of the parts for the ride have become scarce or must be manufactured in-house at enormous expense. When the clutch for the flywheel system burned out in the mid-2000s, many fans wondered if the ride would simply be removed, because of the lack of available parts.
With the recent closure of “Greezed Lightning” at Kentucky Kingdom, many of the parts and indeed the train from that ride (which itself was a combination of the original “Tidal Wave” weight drop shuttle loops from the two Marriott’s Great America parks) were purchased and shipped to Knott’s earlier this year to assist in keeping “Monte,” as it’s affectionately known, up and running.
Built in 1978, it’s the last flywheel shuttle loop of it’s kind in the United States, and one of only TWO left operating in North America).
“Montezooma’s Revenge” at Knott’s Berry Farm utilizes a flywheel clutch launch system – the very same system that Walibi World replaced on “Turbine” with more powerful and modern linear induction motors.
A modification and modernization such as the one done to “Psyké Underground” in Belgium not only could keep the ride around for many more years, but could also significantly lower overall operating costs. No need to enclose the ride – though it would certainly make for a different riding experience with those strobe lights in a tube!
Now, I know, it’s not the “classic” launch system…but to me – it’s still the same ride if the track layout and design isn’t modified. The renovation done at Walibi World just goes to show, that a brilliant design, no matter the age, will ALWAYS stand the test of time!
And for those who are fans of the bouncy, modern dance soundtrack for the ride, you can find it here and on iTunes:
There’s a very important reason I’ve chosen “Great American Thrills” as the name for this show concept – It’s because I love my country.
The name and logo were no accident, they just perfectly fit with what I hope to do with this show concept – to entertain and inform people about the amazing ways you can still have fun at the quintessential, American amusement park.
Yes, there are some amazing parks being built in China (allegedly) and many of the theme parks in Europe are quite stunning…but where do you think they learned it all from? That’s right – they learned it from us…in the United States.
And so, on this anniversary of the worst attack on our nation’s soil, let us remember the brave men and women who fight everyday, both here at home and overseas, so that we might be able to live our normal lives – and go out to parks to have fun with our friends and families. And that’s the greatest “thrill” of “Great American Thrills” – to have fun with those closest to us. That’s what this show concept (and our country) are all about.
And I wouldn’t want to live anywhere else because of it.
Sometimes, the thrills in life aren’t just about amusement parks – sometimes, it’s about being a part of history.
So when they announced the new, $6.4 billion eastern span of the Bay Bridge was to open ahead of schedule, late last night – I charged up the GoPro and jumped into the Escape:
From Daily Motion today – here’s a “nostalgic” (more tongue in cheek) look back at America’s most infamous amusement park, New Jersey’s own “Action Park.”
This is the home of the Cannonball Loop, a full 360 degree looping waterslide (and not the 45 degree models they’re building today, folks!)
Be sure to check out both parts of the video – enjoy!
Great American Thrills is honored to announce that we’ve been selected as a presenter in the San Mateo County History Museum’s “Courthouse Docket” series, exploring the rich history of the region.
Come down on October 26th at 1:00pm and see “The Next Huell Howser” – aka Kris Rowberry – show you how you can still experience some of our bygone amusement parks…today!
Today’s the big day – the coordinated announcements from all of the Six Flags parks on their new for 2014 attractions!
Looks like our local park, Six Flags Discovery Kingdom, actually made out quite well, with THREE major announcements today.
For a new attraction, the park will receive, “Tsunami Soaker” a teacup ride – with a watery twist. The park was sorely lacking water rides (there’s only two) and those hot Vallejo summers will mean long lines for this fun (and interactive) attraction.
Personally, I love when family attractions get put in – it shows the park has a balance to it, rather than adding extreme thrill rides each and every year, which tend to attract the, “wrong crowds.”
Soaking water + spinning means I’ll sadly have to pass on this one… (Photo credit: Six Flags, Inc.)
Our question – is where exactly will it go? The park isn’t exactly flush with space, so this means either a creative “shoe-in” somewhere in the park, or the removal of an older attraction.
We shall see, because we’re going to leave the speculation to those “other” sites…
In addition, the park has also announced that the popular “Cirque Dreams Splashtastic” WILL RETURN for a limited run again next season. (Which is being overlooked by most other sites) This, combined with the addition of “Tsunami Soaker” gives families a great way to spend their day at Discovery Kingdom.
Cirque Dreams Splashtastic will return for 2014.
And in addition to all of that – a little bit of nostalgia for fans of the park when it was Marine World Africa USA…
The park is going back to being open YEAR ROUND!
Plan your trip to Six Flags Discovery Kingdom for anytime in 2014 – it’s now open year-round!
“With the region’s mild temperatures, being open all year means guests have even more opportunity to enjoy Discovery Kingdom’s wildlife and wilder rides,” said Don McCoy, park president. “In addition to our summer daily operating schedule, we will now be open on weekends year-round ― further cementing Six Flags Discovery Kingdom as the premier destination for affordable, thrilling entertainment.“
Now of course, this means seeing rides go down during that time, just like Disney does at their parks – it will be interesting to see how this new year-round operation affects, well OPERATIONS! Seasonal parks tend to struggle to keep staffing up for some reason in California, so we’ll see how this year-round push goes this time around.
Considering the move to an annual “membership” plans for season pass sales earlier this year, it’s not surprising – but still great to hear officially.
For a complete list of the new for 2014 attractions at Six Flags parks, including some truly insane record-breakers across the country – visit this link HERE.
We get this question fairly often in the ol’ e-mail box. The short answer – YES! YES YOU CAN HELP!
How? Well, that’s easy:
1.) Share your park experiences with us:
A souvenir, photo, home video or even just a story – part of the mystique of these lost parks is the strong memories they evoke. We’re always on the hunt for a visual way to tell the story of the parks we’re featuring.
2.) Share us with the World:
We’re big on social media – so we’d love to expand our reach. But that’s where YOU come in. If you see a post that you enjoy, here’s a few ways you can help out the “Lost Parks” project:
“Like,” comment on and share posts, photos and video on Facebook.
Retweet items from our Twitter accounts.
+1 things from Google Plus.
Post our videos on your own website via an embedded file.
Plus, we’re always looking for new partnerships, so feel free to shoot me an e-mail at kris.rowberry {at} gmail.com
Having trouble finding items on our social media feeds? Just use hashtag: “#lostparks” to find most of our work.
Tell your favorite cable channels (Discovery, Travel, Destination America, History) or local broadcast stations that these guys would make a great series for them via, their social media pages.
3.) Tell your friends:
Seriously, even in this uber-connected world we live in, word of mouth is still one of the best ways to get the word out on what we’re up to. Tell your friends, show your family – heck, you just might find a few memories come up in the process!
With just those three simple steps, you can help Lost Parks of Northern California grow by leaps and bounds. Who knows where it will lead us (but that’s part of the journey – so let’s ride!)
If you lived in Northern California odds are you remember this water park not just because they were a technological marvel of their day – but because of their catchy ad jingles. So, “Slip away today and leave your cares behind – they’re the world’s greatest, so come and ride…the Manteca Waterslides!” (1974-2004).
#Hashtags – arguably one of the more confusing elements of social media.
For many, they’re seen as useless – for others, they’re invaluable tools for social media. So which one are they for social media and the amusement industry?
They’re actually both.
In laments terms – a hashtag is like a folder on your computer – it’s a depository for anything that uses that phrase of tag. So, if you’ve just opened up a new coaster called, let’s say Iron Rattler for example, the logical hashtag you’d want to promote is: #ironrattler. Got a halloween event coming up? Why not use #HauntCGA (If it’s Great America for instance) or #KnottsHaunt for the Knott’s Berry Farm’s event.
The whole idea behind hashtags is to get people’s attention, quickly – as well as help people discover content they’re interested in. That’s what keeps the user engaged and ultimately through your turnstiles. Because so many social networks are adopting this #hashtag feature, it behooves you to understand what they are and how to use them properly for you amusement park:
1.) Keep it simple!
The longer a hashtag, the more often it will be misspelled. In addition, the harder it will be for people to remember. Say you want to promote a specific ride one day. Your park can post “Have you ridden #theplunge today? One lucky rider will receive a backdoor pass after their ride! #YOURPARKNAMEHERE
Then, you can watch the #theplunge tags, even if you don’t have social media management software (which you SHOULD be using, if you’ve read my previous posts HERE).
2.) Make it unique, but relevant!
Say you’ve just opened up a new coaster called, let’s say Iron Rattler. The logical hashtag you’d want to promote is: #ironrattler. Got a halloween event coming up? Why not use #HauntCGA (If it’s Great America for instance) or #KnottsHaunt for the Knott’s Berry Farm’s event. You wouldn’t want someone else to be getting web traffic because of your event / advertising campaign, would you?
Not to be a shameless plug here, but whenever we shoot our “Lost Parks of Northern California” series – we always send out social media updates using the hashtag: #lostparks. Not only is it easy to remember, but it’s also unique in that it wasn’t being used before – therefore all the content using that hashtag is ours.
A logical, simple and relevant hashtag makes search engines (and users) easier to capture.
3.) Do NOT make it long!
Remember that some social networks, such as Twitter – give the user only 140 characters to get your message out. A hashtag like #welcomebackspaceexplorers probably isn’t the best bet. But, breaking them up into two smaller hashtags is a better alternative, say #spacemountain #disneyland for instance.
Stick to these guidelines, and you’ll find your SEO increase as well as your interaction via your social media pages. Just be prepared to actually interact with your users – it is SOCIAL media, after all!
In my next post, I’ll discuss the top ten post ideas you SHOULD be doing at your amusement park, regardless of size.
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Kris Rowberry has been following the amusement industry for over 15 years. He has curated social media accounts for several companies, totaling over 450,000 followers across multiple social channels. In addition, he is working on his latest video project: “The Lost Parks of Northern California”
Check out my other postings about Social Media and the Amusement Park HERE.
We’re “The Lost Parks of Northern California” – a web video series trying to track down any and all remaining pieces of the 30 amusement parks that have closed here in Northern California over the past 150 years.
#LostParks quite simply, is our hashtag – a way for people to find out what we’re up to in a fun and engaging way across social media platforms. Come for the journey – stay for the history…ride with us!