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Posts tagged “kris rowberry

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Photo of the Day: Gold Striker at California’s Great America

After many years of becoming a park known for REMOVING rides rather than ADDING them, California’s Great America in Santa Clara, CA made a major statement this year with the addition of Gold Striker. Billed as the tallest, fastest (and certainly most intense) coaster in Northern California, Gold Striker is easily one of the top five wooden coasters I’ve ever had the privilege of riding – and should be under consideration for the Top Ten in the United States.

Despite some minor setbacks and delays in opening, mostly due to ongoing noise abatement issues – the ride is now roaring every operating day, to delighted and packed crowds.

A winner all around, this coaster is seen by many as the catalyst for revival at California’s Great America – and fans are loving every moment of it. But don’t take my word for it – check out Westcoaster’s recent review.

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Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/greatamericanthrills/sets

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

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Featured on “This Week in Photo” Podcast!

If you haven’t already, check me out on the “This Week in Photo” podcast! We’ll discuss photo composition, the impetus for me getting into photography…and of course, nausea.

Enjoy, everyone!

Learn more about Frederick’s work at: www.thisweekinphoto.com


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What’s Your Worst Travel Mistake?

Mine was overpaying for hotel rooms on my coaster adventures. Learn from my mistake – always plan ahead!

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Read the entire article here:

http://www.mainstreet.com/slideshow/lifestyle/travel/my-worst-travel-mistake-6-money-lessons


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Lost Parks Episode 2 Debuts This Friday!

If you haven’t already, check out our preview for the second installment of the “Lost Parks of Northern California.”

Do you know the way to San Jose – and it’s first amusement park?


Ride Review: California’s Great America – The Grizzly

Photo (c) 2013 Kris Rowberry

When I attended a construction tour and park preview at California’s Great America this past winter, it was announced that the Grizzly (the park’s perennially basement dwelling wooden coaster) was completely overhauled and had, in fact, been sped up by nearly 12 seconds.

Understandably, there were grumbles and guffaws from the audience. After all, this was a coaster that had finished DEAD LAST in many coaster polls for DECADES. At one point, you have to think the park should have thrown a faux celebration at that dubious honor, right?

Photo (c) 2013 Kris Rowberry.

Really?!? Grizzly is so boring you can text while on it? I disagree.

However, I am happy to report that the Grizzly, at the mid point to it’s operating season – is running smoother, faster and better than I can ever remember. (And I remember RIDING it in the 1980’s!)

But wait – there’s more!

It’s also moving so fast (from what it was before) that it’s actually placing some nice g-forces on riders in the lower turnarounds.

You read right – Grizzly, a coaster that was smoothed out from it’s original design to be more “family friendly” in the 1980’s – is becoming more and more forceful with every day she’s running. (And that’s a GOOD thing!)

Photo (c) 2013 Kris Rowberry

Smiles, not grimaces now adorn riders of the Grizzly.

Will it ever compete with Gold Striker on thrills? Absolutely not – even with extensive re-profiling to match more closely to the ORIGINAL Grizzly design at Kings Dominion in Virginia – to compare Gold Striker and the Grizzly is unfair.

However, with two very re-rideable wooden coasters now in the park, the Grizzly makes for a perfect “starter” coaster for the enthusiast in training, who’s not quite ready yet to “strike gold.”

Now, if only the park could speed up dispatches by doing away with those unnecessary second and THIRD seat belts…


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Lost Parks of Northern California – Episode 2 Preview

It’s finally here!

Episode 2 of the “Lost Parks” series is in the bucket and ready for release. So until the actual episode debuts, check out this quick preview of San Jose’s OTHER long lost amusement park – LUNA PARK!

Look for the actual episode to debut later this month!


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Photo of the Day: Asiana Airlines Flight 214 Wreckage at SFO

Asiana 214 wreckage. Photo (c) 2013 Kris Rowberry and Great American Thrills

Now, I’m a big fan of all things aviation – but to take these photos yesterday was both a sobering and ethereal moment for me.

To think of what this aircraft and more importantly, it’s occupants had been through made this one of the more difficult subjects for me to shoot.

Nonetheless, it’s important to document – to think so many people WALKED AWAY from this wreckage is simply astounding.

Asiana 214 wreckage. Photo (c) 2013 Kris Rowberry and Great American Thrills

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills/sets

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Asiana Airlines 777 Crashes at SFO

Amazing how many people survived today’s crash – but what’s more amazing was the “meh” attitude of some of the passengers AFTERWARDS! our thoughts and prayers are with those who were injured and may have lost loved ones today…

As a fan of flying and aviation – you always wonder about those people who ignore the safety warnings or don’t put away their notebooks after flight attendants tell them. Maybe you should re-think that the next time you fly…

How to Not Evacuate an Aircraft.

How to Not Evacuate an Aircraft. Photo illustration by Kris Rowberry.


Gold Striker Re-Opens!

After a slight delay to install an additional 70 foot long tunnel, Gold Striker is back up and running (and presumably under the decibel limit agreed to by both Prudential Real Estate Investors and Cedar Fair (owners of the park).

The park sent out this message on Facebook today:

“Great news regarding Gold Striker. An additional 70 ft. tunnel, similar to the initial descent tunnel, has been added and the ride is better than ever. Feel the rush today.”

So – no long closure (as was initially implied and worried about on some websites – this one included) and a second massive headchopper sure to add to the thrills of the ride – what’s not to love?

It’s been a long road to get here, but all fans of the park and ride can breathe a sign of relief – after seven long years – Gold Striker is finally here to stay and now open PERMANENTLY!

If you haven’t already, get yourself out to California’s Great America and ride the Best Wooden Coaster on the West Coast, GOLD STRIKER!

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After a brief hiatus, Gold Striker is back up and thrilling guests after an additional tunnel was added to mitigate sounds coming from the coaster.


Gold Striker Closed Only Temporarily for Modifications

After two weeks of soft testing, a lavish grand opening ceremony and over a month of regular operation, the Gold Striker wooden roller coaster at California’s Great America is closed temporarily to allow for additional sound mitigation to be placed on the ride. But don’t hit your panic buttons – published news reports say the ride is expected to be back up and running by the July 4th holiday – NOT an extended, unknown period.

According to the City of Santa Clara’s “Smart Permit” website, Gold Striker had several criteria to meet in order for it to open permanently, the biggest of which states: “Should the additional testing reveal that the coaster is not in compliance with Condition 23 (amount of sound coming from the ride) or any applicable City ordinances, Cedar Fair shall undertake Remedial Measures, as defined in the Settlement Agt Agreement.” Apparently, the ride was just shy of making all those criteria.

Many industry watchers and local boosters see this addition to the park (and the subsequent work to ensure everyone is satisfied) as a serious commitment from corporate owner Cedar Fair, LP to both the park and the local economy.

“Cedar Fair elected to close the ride to install additional sound mitigation upgrades,” said Santa Clara Mayor, Jamie Matthews. “Those upgrades should bring the ride into full compliance with the previous settlement. I’m hoping to see it open here for the 4th of July.”

He added, “I am very happy with the way this is situation is working out – it shows responsible citizenship – that we can all work together and come to a solution.”

Noise Tests at California's Great America. Photo (C) 2013, Kris Rowberry and Great American Thrills. All rights reserved.

A man with recording equipment and headphones monitors the noise coming from Gold Striker from one of Prudential’s buildings.

Since “soft-opening” in May, Gold Striker has seen major additions, most notably the addition of plywood walls and white foam along the sides and underside of the track. By coincidence, these spots pass closest to or face the buildings located on Great America Parkway. During initial construction, the park added what was dubbed an, “initial descent tunnel” onto the first drop of the ride. This feature was presumably added to mitigate the sound from the first drop of the ride.

Trying to build this ride has been quite the roller coaster ride in and of itself – the plans go back to 2007, when the park first began the permitting process. In addition to the standard permits, three hearings were held on potential noise levels – all of which were initiated by appeals from the owners of the buildings closest to the proposed ride.

Billy D’Anjou, a local roller coaster enthusiast, has logged 80 circuits on the coaster since it opened in May and is hoping to hit his 100th ride in July.

“I personally don’t mind more enhancements (to the ride) but I think the whole noise mitigation issue has gotten out out of control,” he said. “In the end it makes me worry what limitations Great America will have in the future. (Prudential) should expect noise from a theme park. It’s not a library or fine art museum.”

Gold Striker at California's Great America. Photo (C) 2013 Kris Rowberry & Great American Thrills. All rights reserved.

Gold Striker thrills riders on a recent operating day.

Gold Striker is the first wooden roller coaster built in Northern California since 1999. It boasts the tallest and fastest drop in Northern California and is the largest capital investment in the park in over a decade. The ride was built partially on the footprint of another ride, Willard’s Whizzer – a steel coaster that operated from 1976 to 1988.

The land that Prudential’s buildings sit on was originally an auxiliary parking lot for Great America. The land was sold in the late 90’s during the dot com boom. Prudential acquired the buildings in early 2002, according to a press release on their website.

Marriott’s Great America opened in 1976, as a celebration of America’s bi-centennial. The concept was to create a chain of parks to become an answer to Disney’s theme park empire.


Illegal POV Filming – When Will They Learn?

I hate to be a broken record – but if you’ve been reading my writings on illegal, handheld POV filming on rides – then watching this video should come as no surprise to you.

If you think filming on rides is harmless behavior – how would YOU like to be hit with a GoPro Hero3 at 55mph?

Thankfully, no one was apparently injured in this situation.

Here’s the kicker – while the ride starts well after the train has been dispatched and out of the eyesight of ride employees – the lift has not one, but TWO cameras on it. There’s got to be a better way of preventing this – and there is!


Advertising in an Amusement Park – Practice what you Preach!

This large, banner ad is currently up at Six Flags Over Texas, hanging on the outside of the “La Vibora” bobsled coaster station. It’s promoting MetroPCS – but the cute green Android figures aren’t what caught my eye…it’s the fact that the ad is encouraging people to have their phones out on rides:

Photo (c) 2013 Kris Rowberry and Great American Thrills

It’s okay to film and photograph on rides with your phone, according to this ad – but not according to park rules and announcements.

Don’t believe me? Check out the figure with the “M” on their shirt. Yup. They’re snapping a photo while the ride is going. What’s even more troubling – they’re snapping a photo on what appears to be a swing ride – an attraction that had just debuted when I visited this year (2013); in fact, it’s the tallest in the world at 400 feet.

It also happens to be located next to the main roadway entrance to the park. Boy, that be a heck of a way to start your day when you’re driving into the park and your windshield shatters from a loose cell phone, don’t you think?

If you’ve read my previous post on this topic, this epidemic of cell phone filming is only going to become worse as the Millennial generation becomes of the age to own a cell phone. Showing ads like this, then telling them to not have loose articles aboard the ride? It just wreaks of, “What were they thinking?!?” and it’s just plain DUMB in my opinion.

Seriously – how did this ad proof get by both the corporate offices AND the local marketing officials?!?

“But loose cell phones never hit people or fall out of hands! They’re not as big of a threat as you make them out to be!”

I probably would have confided to you that I’ve never seen an injury as a result of a phone getting loose and hitting someone…though I do have proof that phones are coming loose:

Cell Phone carnage at Six Flags St. Louis. Photo (c) 2013 Great American Thrills and Kris Rowberry

Cell phone carnage under Mr. Freeze: Reverse Blast at Six Flags St. Louis.

That was before this past weekend, however. That’s when I DID witness several people get injured by a loose cell phone at the Santa Cruz Beach Boardwalk. The guest whipped out their cell phone after concealing it on the “Double Shot” freefall tower attraction just as it launched – and wouldn’t you know it – the phone got loose, fell 125 feet and promptly smashed into guests waiting in line.

This madness simply has to stop – before someone else is either injured or outright KILLED by a flying, loose article. Ads like this aren’t doing the parks any favors. They’re literally shooting themselves in the proverbial foot.

“I think you’re reading into this ad a little too much – people don’t get encouraged by ads or do what they say…”

You sure about that? Because I’m lovin’ it.

You thought of McDonald’s just now, didn’t you? Feeling a bit hungry all of a sudden? As much as we don’ t like to think it, advertising is a very powerful tool to control behavior – so to encourage the very behavior you’re trying to eliminate in your safety spiels and park map rules is well – not the smartest move in my book.

My point is this – advertise all you want to your guests, but at the very least, practice what you preach!

Review my prior posts about “Social Media and the Amusement Park” here.

About the Author:

Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®


Connecting with our Past

I’m always fascinated and shocked when we go out into the field how many people have such fond amusement park memories.

I shouldn’t be so surprised – yet are built for fun after all – but I think we all sometimes forget that we need a little fun in our lives.

Sometimes, it just takes a guy with a camera, microphone and bright light to remind us of all the good times.


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Photo of the Day: Batman – the Dark Knight at Six Flags New England

There’s nothing like a custom roller coaster layout to get an enthusiast excited. Batman: The Dark Knight is a custom designed B&M “floorless” coaster.

You got to love the facial expressions I find in these shots! Always a delight when I’m post processing these types of photos.

Batman: The Dark Knight at Six Flags New England. Photo (c) 2013 Kris Rowberry and Great American Thrills

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


How Much Posting is TOO Much on Social Media?

Continuing my series on how social media can be used more effectively at amusement parks / FEC’s – just how many times should you be posting to your social media accounts on a daily basis?

Some experts feel that the higher quality the post, the less often you have to post it, while others feel that with all the filtering being done online, the more often you post, the better chances you have of actually being seen and / or heard.

The New York Times – arguably the most respected news source in the country – posts on average, seven to eight times per day. As much as you’d like to think your attraction has that much to tell the world – it simply doesn’t.*

Posting even HALF that often is enough to turn off your potential viewers. Yes, you are being filtered by Facebook and the new algorithm – but it’s not worth over-posting if most of your “likes” are going to mute your posts or worse, mark them all as spam.

If RollerCoasterTycoon had a social media option, I’d be posting a maximum of three times a day while open, once a day when closed.

Post #1: Morning, Before Opening

Post #2: Midday

Post #3: End of Operating Day

Rotate the timing of each of these posts (i.e. Don’t post a funny / cool photo each day at 3:00pm, spice it up a little).

It should go without saying, but you simply MUST be scheduling posts – to try and keep up with each post each day will ultimately drive you nuts. To assist in keeping your sanity, a scheduling software solution, such as TweetDeck or HootSuite is an absolute must! (I’ll be going into more detail on how to use HootSuite with my #Hashtag post soon)

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Also to help with keeping up with your quota – consider “banking” photos over your operating season, as well – if you can’t find anything interesting to post about one day, use one of those banked photos.

Remember that while rides are fun, most people visit parks to enjoy the fun WITH OTHERS. Highlighting unique groups in your attraction, big game winners and specific attractions is sure to bring in more views (plus more turnstiles rotating).

Fan submitted photos are also a great (and often overlooked) way to have your social media content create itself. But, as I said in my first posting on this series – never forget that the entire purpose of social media is NOT to sell to your followers directly – it’s to start a conversation and interact with them.

Once you throw up an update, be prepared to interact with people. “Like Bait,” as it’s known, has a place on Facebook, but it will never convert those eyeballs to your turnstiles unless they can feel a connection to your attraction. For instance, posting a cool photo of your roller coaster may get 1,000 likes, but people will also ask questions, too. Each one of those questions is an opportunity to connect (and THEN sell your product to them AND all their friends).

If you’re a seasonal park, take advantage of the off-season to show all the transformative work going on behind-the-scenes. Just be aware that trying to sell a season pass in the middle of the winter with a photo of a dry waterslide probably isn’t going to go very viral. However, a video of employees sliding down said slide in a bathing suit – in the snow, now THAT’S different!)

If you’re shooting your own photos to post on Facebook, Twitter and / or Google+ (and you should be) and you’re using a DSLR (i.e. NOT a cell phone camera) adding a watermark with your website or hashtag is absolutely necessary. People will inevitably share quality or memorable photos – and with watermarked information on them, your logo and website will be sitting right there in front of all those shares for consumption.

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Which one of these social media update photos would YOU want to be saved as a follower’s new computer background? (Airship Ventures, 2007 – 2012)

So, don’t fill guests (or potential guests) feeds, walls or updates with tons of info, photos and sales pitches – just nurture them. There’s no reason to go crazy and post 15 Instagram shots of your newest ride. You’ll see your following grow and ultimately see more butts through the turnstiles.

In my next article, I’ll be talking about #hashtags – what are they? How can you use them to promote your attraction / FEC?

*The only exception to this rule is when your attraction is facing a crisis situation or dangerous weather conditions.

Review my prior posts about “Social Media and the Amusement Park” here.

About the Author:

Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®


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Photo of the Day: Iron Rattler at Six Flags Fiesta Texas

Iron Rattler at Six Flags Fiesta Texas

There are roller coasters – and then they’re EPIC roller coasters. Iron Rattler at Six Flags Fiesta Texas is one of those attractions that takes your breath away.

Once the tallest wooden coaster on Earth, the Rattler was transformed this past off season to include Rocky Mountain Construction’s Iron Horse Track (similar to the track on Texas Giant just a few hours north). The ride is now smooth, powerful and FORCEFUL  – definitely a steel coaster that should rank in your top three in the world after you ride it.

Did we mention there’s a clever inversion on it, too?

Iron Rattler at Six Flags Fiesta Texas

A HUGE thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


Coaster “Bender” Trip – Vital Stats

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

9 – Number of days the trip lasted

5,968 – Total mileage flown

3 – Number of rental car models I rented

4 – Number of Six Flags parks visited

6 – Number of wooden coasters on the trip

3 – Number of coasters missed (2 closed, one required child accompaniment)

$493.93 – Estimated amount of money saved by upgrading to a GOLD Six Flags Season Pass

1 – Number of Cicadas encountered (On the motel door / eyehole in Spiringfield, MA…thankfully only molting).


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Caption Contest: Facebook Face Recognition FAIL

"Face" on Iron Rattler. Photo (c) 2013 Great American Thrills and Kris Rowberry.

While working on editing photos from my recent marathon trip across the country these past two weeks, I couldn’t help but laugh at what Facebook thought was a face…it’s actually a wheel bogey from the “epic” Iron Rattler at Six Flags Fiesta Texas."Face" on Iron Rattler. Photo (c) 2013 Great American Thrills and Kris Rowberry.

What’s your best caption for this shot?


Season Pass Podcast Interview

We had the pleasure of being interviewed at the Gold Striker media day by the great Doug Barnes of “The Season Pass” podcast. Check out the interview about halfway through at the link below:

Can’t wait to talk up “Lost Parks” some more in the future, Doug!

iTunes:

https://itunes.apple.com/podcast/the-season-pass-the-essential/id268430539

Direct Link:

http://traffic.libsyn.com/seasonpasspodcast/The_Season_Pass_235.mp3

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Photo of the Day: Gateway Arch in St. Louis, MO

Gateway Arch at Jefferson Western Expansion Memorial. Photo (c) 2013 Great American Thrills and Kris Rowberry.

It may have been a little rainy, bit that didn’t dampen our moods to cross off, “visit the St. Louis Arch” off our bucket lists this weekend!

This disorienting view comes from the the center most window (there is no centered window, as that is where the “keystone” to the arch sits, and must be the strongest portion of the structure.)

It’s quite a weird feeling to realize that unlike a building observation deck, there’s absolutely nothing below you.

Oh, and the ride to the top – worthy of any thrill ride I’ve ever been on…thank you Eero Saarinen!

Gateway Arch at Jefferson Western Expansion Memorial. Photo (c) 2013 Great American Thrills and Kris Rowberry.

A HUGE thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


How to use YouTube to Combat Cell Phones on Coasters

Seems counter intuitive, right? How can the very thing that allows dangerous, illegal POV video to be so popular be used to stop it? Well, read on and find out:

Arguably, cell phones are one of the greatest inventions of the past century – the convenience of being on contact whenever, where ever. The freedom to upload photos and videos at any moment – including while guests are on your rides and attractions.

You don’t have to hear me tell you that cell phone filming on rides is an epidemic in our industry. It’s pushing insurance premiums higher and higher. A projectile of that density, loose at 65mph could be several injury lawsuits just waiting to happen, not to mention the bad publicity in the media.

Before the Gold Striker wooden roller coaster even opened to the public at California’s Great America this past month, guests were seen filming on the ride using cell phones. When opening day came, the second train of the day that featured general public passengers had three (3) cell phones out.

“But we already provide guests with storage options while they’re on rides!”

Sadly, that doesn’t matter. The mentality of guests today, specifically Millennials, is to not experience the ride they’re on, but to record and share the experience with all their friends. The more “Likes” on Facebook, the higher “Thumbs Up “ count on YouTube, the better.

 “But, it’s free publicity!” 

Yes, it is free publicity – telling everyone online that it’s okay to film on your rides – and risk the safety of everyone around them. It’s nothing a good marketing campaign of your own marketing team couldn’t accomplish (see #3).

So how then, does your park stop this major liability and potentially lower your insurance premiums at the same time? It’s actually a simple, three step process:

1.)  When it Comes to your Park’s Policies, “Grow a Pair”

Stark as it is, it needs to be said. For so many years, park guests have received warnings about what NOT to do at a park. They’ve received so many that they’ve become complacent to them. A good comparison would be to think about the last time you actually picked up a safety card in an airplane and read it. That’s the same mentality going on with your younger guests.

Also to consider – Millennials expect warnings. They’re willing to go right up to the warning and only back down when confronted. This is a generation where “everybody’s a winner,” and there’s little to no consequences to their actions. If your sign says “anyone caught with a camera on a ride will be removed from the park” then DO IT. (While deleting or confiscating the offending device.) The only way to change guests’ behavior is to show them that you mean business.

For example, Six Flags New England has a single warning sign at every high profile attraction. It reads, “Any cell phone or filming on this ride will result in immediate ejection from the park, no refunds and a 5 year ban from the park.” That gets people’s attention. In addition, all of their ride auto spiels also include a warning: “Anyone using a cell phone or MP3 payer to record while on the ride is subject to immediate dismissal from the park by Six Flags Security.”

The Santa Cruz Beach Boardwalk goes a step further. Ride attendants actively monitor the lift hill of the Giant Dipper roller coaster via security video. If a cell phone or other recording device is seen, the ride is immediately stopped and will not start again until the offending device is put away. If the device re-appears after the lift, security is called to wait at the station, takes away any tickets or passes the guest may have and is escorted immediately off park property.

Now that you’ve taken the first steps to stem the flow of content at the source, it’s time to move onto where the content lives…online.

2.)  Actively monitor and police social media, especially YouTube.

This should go without saying, especially if you read my last post – but if you don’t watch your social media channels continuously, you’re in for a shock…

What’s your signature ride at your park? Go ahead and search it on YouTube, I’ll wait…

Okay, you’re back? Great – how many results came up? Each one of those videos are potential lawsuits from injured guests, who will blame you for allowing people to film on rides. The real scary part – these are only the videos that were tagged properly on YouTube – many more could potentially exist without proper tagging or incorrect spellings. (Not to mention Facebook videos as well.)

Remember, this is your property people are filming on. You are well within your rights as a park to have videos on YouTube flagged or taken down for safety, security or other reasons.

Use the ban as an opportunity. In the complaint, be sure to add a link to an authorized POV (point of view) video that came from the park, with a friendly reminder to not film on rides.

Some park-centric websites have gone so far as to monetize videos filmed at parks . Yes, you heard me correctly – they were filming commercially – and they paid none of your fees, had no insurance coverage AND you didn’t even know they were there. You wouldn’t allow a film crew to just wander around the park without your spokesperson, so why would you allow this?

3.)  Film (and share liberally) professional, on-ride video that you created or authorized.

Gone are the days of needing a film crew, jibs, cranes and more when it comes to making high quality video. A simple GoPro Hero with accompanying mounts will run your department about $400-$450 after tax. That’s a small price to pay to avoid millions in lawsuits.

Mount the camera on either the handlebars of the front car, or via the suction cup mount to a flat, non-porous surface. Duct tape can be used to stabilize the rig, but it’s not necessary in many cases. Never use any footage that could come across as shaky, or handheld. You’ll run the risk of having it look too much like a cell phone video; guests will be only encouraged to film on their own.

Now that you have authorized POV, post your video everywhere – not just on YouTube. Link to it via your other social media outlets – have it available for download for free (just be sure you include your personal watermark to show it’s really from the park). Have a QR code posted near the ride exit, so guests can scan it and receive a link to the video. It takes the work (and risk) of filming on a ride out of the hands of the guests – it’s already been done for them!

Combine that with active monitoring and better training for ride attendants, and you’ll see a significant decrease in after the ride and receive it on their phone. Take all the work out of guests filming and put it on yourself – you will see results quickly and hopefully, watch your insurance premiums decrease as well.

Review my prior posts about “Social Media and the Amusement Park” here.

About the Author:

Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®


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Photo of the Day: Boomerang at Six Flags St. Louis

Boomerang at Six Flags St. Louis. Photo (c) 2013 Kris Rowberry and Great American Thrills

Yesterday, Six Flags St. Louis unveiled their latest coaster in their collection and Great American Thrills was there on OPENING DAY to see what the venerable Vekoma design had in store for guests.

Amazingly, the ride is SMOOTH for a Vekoma – and the park is working diligently to improve the catch on the second hill to eliminate that traditional “thud” that’s so common on this model. The ride sits between the Tidal Wave flume, Sky Screamer and venerable Screamin’ Eagle wooden coaster at the top of the park.

Boomerang at Six Flags St. Louis. Photo (c) 2013 Kris Rowberry and Great American Thrills

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

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Photo of the Day: Loose Articles under Mr. Freeze

Cell Phone carnage at Six Flags St. Louis. Photo (c) 2013 Great American Thrills and Kris Rowberry

This is the reason that parks don’t want you to have loose articles onboard roller coasters – because this is almost ALWAYS their fate!

Cell Phone carnage at Six Flags St. Louis. Photo (c) 2013 Great American Thrills and Kris Rowberry

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: Bizarro at Six Flags New England

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

Originally called Riverside Park, Six Flags New England is by definition the oldest in the chain (opened in 1840) – however, it has only been a Six Flags branded park since 1999.

One of the first major attractions added was Superman: Ride of Steel. The ride was recently re-themed to Bizzaro, complete with mist, sound and lighting effects (That weren’t on during my visit – which wasn’t a bad thing, actually.)

This coaster has won several Golden Tickets (Five in total) – and it’s easy to see why – this turn has become the de-facto “photo” of SFNE and was even featured in an episode of Family Guy! (See below)

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

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Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry