Halloween Haunt 2013 at California’s Great America
In only a few, short years, Halloween Haunt at California’s Great America has gone from two “hand me down” mazes from Knott’s Berry Farm to easily the de facto Halloween event in Northern California.
Now with eight (8) mazes, three dedicated “scare zones” and enough fog machines and tinted lighting to make any rock concert jealous – the Haunt is now worthy of being up for comparison to the event that initially spawned it in Southern California.
The entertainment begins just as you enter the front gate to the park. Fire cannons (yes, you read that correctly) have been installed along the reflecting pool of Carousel Columbia. Never did I think I would feel the heat of flames on a relaxing ride like Columbia – then again, this IS Haunt. Consider walking into Carousel Plaza your “baptism by fire” to Haunt. The only thing that would make it better would be to run the carousel backwards.
To the right of the carousel, lies the first of two new mazes this year, “Dia de los Muertos.” As you can imagine, it’s a Latin themed maze, complete with Spanish-talking zombies and dizzying effects. The artwork alone makes the maze worth going into (and we STRONGLY recommend getting a pair of 3D glasses for $1.00 at the entrance). Those 3D glasses can also be used in the “CarnEVIL” maze in Orleans Place.
At the back of the park lies Zombie High, the other new maze for 2013. The building, which lies behind the Grizzly roller coaster, was built specifically for this maze, but I imagine it will double as a Haunt storage warehouse in the off-season. Considering all the material necessary to pull this event off now – it would make sense to expand the “backlot storage” the park currently has.
“Zombie High” is modeled after Shows Director, Clayton Lawrence’s old high school, down to the mascot. Of course, I’m guessing he didn’t have all the zombies and blood, there. See if you can catch all the inside jokes and macabre humor – just don’t upset the Principal.
The eight mazes and elaborate theming in the park would have been enough to placate most Halloween fans – but then California’s Great America did something celebrated by park fans and observers…they didn’t stop there.
Back in March, Park Spokesperson Roger Ross stressed that, “Cedar Fair is committed to California’s Great America. We’re replacing roofs…there’s fresh paint everywhere.” And you know what? He wasn’t kidding. That same spirit and drive to revive the park to it’s former glory and true potential is clearly evident in all aspects of the Haunt this year. Did you really need fire cannons at the front entrance? Not really – but who the hell cares – they’re freaking awesome!
In addition to the two new mazes and amazing theming throughout the park, Great America now offers a pre-scare meal, dubbed “Madame Maries Voodoo Chophouse.” The $22.99 add-on to your admission includes: early entry to the park, an all-you-can-eat, cajun-themed buffet, single “Fright Lane” entry to a maze of your choice and apparently very exclusive ride time on Gold Striker!
Now, most buffets at amusement parks are well – not worth writing home about. But, this meal included: fried catfish, creole, biscuits, prime rib(!) and soft drinks among other items. There’s even a chocolate fountain, complete with fruit and other dessert options. It shattered my notion of what I could eat an an amusement park outside of the Disneyland Resort. The park also offers a “Fright Feast” for $13.99, with more standard, picnic grove food options.
But the two new mazes, elaborately-themed buffet and exclusive ride time on Gold Striker was NOT the highlight of the night. That honor was reserved for the masterfully choreographed ice show, “Blades of Horror.”
Yes, you read right – an ICE show at a Halloween event. Stay with me, people…
A combination “Cirque” style show with an intriguing storyline, “Blades of Horror” is easily the best show I have seen at California’s Great America, going back to the KECO days of the late 1980’s.
The talent is largely local and according to many staff members, the show was largely driven by the performers simply wanting to keep performing. It has the look and feel of a large budget show you’d catch in any Las Vegas resort – and yet it’s right here, in the middle of Haunt. The acrobatics, aerials stunts and exhibitions of these actors is nothing short of spectacular. The grand finale alone is something that simply cannot be missed and may never be duplicated again.
There you have it – not one, but no less than five incredible reasons to visit California’s Great America and their burgeoning Halloween Haunt event.
As the days get closer to Halloween, it’s best to schedule your visit on either a Sunday or better still – visit as soon as possible. The crowds will only get larger as the holiday approaches, and so does the cost of admission.
Oh, and don’t show up to the park on Halloween – Haunt runs through October 27th.
Halloween Heads – it’s time to get out to California’s Great America – and get your scream on.
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Learn more about Haunt and it’s incredible entertainment and food options here: https://www.cagreatamerica.com/haunt
Lost Parks, Episode 3: “Manteca Waterslides”
I am proud today to release our third episode in the “Lost Parks of Northern California” series, focusing on the “famous” Manteca Waterslides!
Learn how the modern water slide was born just off of Highway 120 in Manteca, where you can still go to experience pieces of the park today and why people still call the chamber of commerce, asking about the slides…nine years after the park closed for good.
This was on all accounts – the most difficult video we have produced thus far. The technical aspects alone were enough to make both myself and my producer, Nicholas Laschkewitsch throw a fit. But, we persevered – and are proud to show you our work of the past few months.
“The Lost Parks of Northern California” is produced in association with the American Coaster Enthusiasts, Northern California region. Learn more about them at: www.acenorcal.org
Featured in TIME Magazine!
It’s both an honor and humbling to see your work in print – but to see it in the prestigious TIME Magazine – well, that’s just awesome!
Not only was I quoted several times in the piece, but two of my photos (El Toro and Bizzaro) were featured as the top two images! (I’m a little excited if you can tell)
You can read the full article here: http://techland.time.com/2013/09/19/the-top-10-roller-coasters-in-the-u-s/
Looks like there’s a new roller coaster expert in town – and this one can photograph AND write well, too! Another great milestone on my journey…
Renewing a Classic Coaster
Fans of classic roller coaster designs rejoice – one of the original looping coasters has received a new lease on life.
If you’re a hardcore roller coaster fan – you should instantly recognize the the motion being mimicked in this commercial – for the uninitiated, it’s the famous profile and movements of the Schwarzkopf Shuttle Loop.
Sadly, only half of the installations of this compact, but thrilling ride remain in the world today. The one we’ll be focusing on resides at Walibi World in Belgium.
The ride, originally called “Turbine,” had been closed since 2008, when parts simply ran out to repair the ride. (Schwarzkopf went under well over a decade ago). But the park had an idea – they contacted current coaster manufacturer Gerstlauer and asked, “Could you modernize the launch system on ‘Turbine’ to make it faster, more reliable and cheaper to operate?”
Turns out they could!
With a newer, more reliable launching system, utilizing all of the original track, mind you – Walibi went a step further, by giving the attraction an entirely new theme and completely enclosing the ride’s track. “Turbine” would enter the new millennium with a modern, linear induction launch system and be re-born as “Psyké Underground,” a dance club themed coaster.
Now at first thought, the theme might be a bit too much – a bit “over hip,” if you will. But after seeing the effects and how they work in tandem with the storyline of the ride – well, it WORKS!
For fans of this type of ride (and you know who you are), you’ll also be happy to know the ride still goes “all the way” up the back spike as well.
With the success of this transformation, my attention turns to another classic shuttle loop that has cheated the wrecking ball several times: “Montezooma’s Revenge” at Knott’s Berry Farm.
Because Schwarzkopf went out of business in the mid-1990’s, many of the parts for the ride have become scarce or must be manufactured in-house at enormous expense. When the clutch for the flywheel system burned out in the mid-2000s, many fans wondered if the ride would simply be removed, because of the lack of available parts.
With the recent closure of “Greezed Lightning” at Kentucky Kingdom, many of the parts and indeed the train from that ride (which itself was a combination of the original “Tidal Wave” weight drop shuttle loops from the two Marriott’s Great America parks) were purchased and shipped to Knott’s earlier this year to assist in keeping “Monte,” as it’s affectionately known, up and running.
Built in 1978, it’s the last flywheel shuttle loop of it’s kind in the United States, and one of only TWO left operating in North America).
“Montezooma’s Revenge” at Knott’s Berry Farm utilizes a flywheel clutch launch system – the very same system that Walibi World replaced on “Turbine” with more powerful and modern linear induction motors.
A modification and modernization such as the one done to “Psyké Underground” in Belgium not only could keep the ride around for many more years, but could also significantly lower overall operating costs. No need to enclose the ride – though it would certainly make for a different riding experience with those strobe lights in a tube!
Now, I know, it’s not the “classic” launch system…but to me – it’s still the same ride if the track layout and design isn’t modified. The renovation done at Walibi World just goes to show, that a brilliant design, no matter the age, will ALWAYS stand the test of time!
And for those who are fans of the bouncy, modern dance soundtrack for the ride, you can find it here and on iTunes:
Happy Friday the 13th!
Got a case of trixadexaphobia? (Fear of the number 13?)
Better take a pass on the Twilight Zone Tower of Terror, found at several Disney parks. Just a perfect theme for a free fall ride.
Tower of Terror at the Disneyland Resort
Fun fact: For many years during it’s development, the ride was going to utilize the original Intamin “first generation” free fall technology:
Photo from TowerofTerror.org
You can see how the “L” shape of the freefall would fit perfectly in the design of the original concept art.
I hear the wait time is low today, too…
…only 13 minutes according to MouseWait!
On This 9/11 Anniversary…
There’s a very important reason I’ve chosen “Great American Thrills” as the name for this show concept – It’s because I love my country.
The name and logo were no accident, they just perfectly fit with what I hope to do with this show concept – to entertain and inform people about the amazing ways you can still have fun at the quintessential, American amusement park.
Yes, there are some amazing parks being built in China (allegedly) and many of the theme parks in Europe are quite stunning…but where do you think they learned it all from? That’s right – they learned it from us…in the United States.
And so, on this anniversary of the worst attack on our nation’s soil, let us remember the brave men and women who fight everyday, both here at home and overseas, so that we might be able to live our normal lives – and go out to parks to have fun with our friends and families. And that’s the greatest “thrill” of “Great American Thrills” – to have fun with those closest to us. That’s what this show concept (and our country) are all about.
And I wouldn’t want to live anywhere else because of it.
The New Bay Bridge
Sometimes, the thrills in life aren’t just about amusement parks – sometimes, it’s about being a part of history.
So when they announced the new, $6.4 billion eastern span of the Bay Bridge was to open ahead of schedule, late last night – I charged up the GoPro and jumped into the Escape:
“The Most Insane Amusement Park Ever” – Video
From Daily Motion today – here’s a “nostalgic” (more tongue in cheek) look back at America’s most infamous amusement park, New Jersey’s own “Action Park.”
This is the home of the Cannonball Loop, a full 360 degree looping waterslide (and not the 45 degree models they’re building today, folks!)
Be sure to check out both parts of the video – enjoy!
http://www.dailymotion.com/video/x13qzyv_the-most-insane-amusement-park-ever-part-1-of-2_tech”
We’re Presenting at the San Mateo County History Museum!
Great American Thrills is honored to announce that we’ve been selected as a presenter in the San Mateo County History Museum’s “Courthouse Docket” series, exploring the rich history of the region.
Come down on October 26th at 1:00pm and see “The Next Huell Howser” – aka Kris Rowberry – show you how you can still experience some of our bygone amusement parks…today!
Who knows, you just might learn something, too!
Six Flags Announces New 2014 Additions
Today’s the big day – the coordinated announcements from all of the Six Flags parks on their new for 2014 attractions!
Looks like our local park, Six Flags Discovery Kingdom, actually made out quite well, with THREE major announcements today.
For a new attraction, the park will receive, “Tsunami Soaker” a teacup ride – with a watery twist. The park was sorely lacking water rides (there’s only two) and those hot Vallejo summers will mean long lines for this fun (and interactive) attraction.
Personally, I love when family attractions get put in – it shows the park has a balance to it, rather than adding extreme thrill rides each and every year, which tend to attract the, “wrong crowds.”
Soaking water + spinning means I’ll sadly have to pass on this one… (Photo credit: Six Flags, Inc.)
Our question – is where exactly will it go? The park isn’t exactly flush with space, so this means either a creative “shoe-in” somewhere in the park, or the removal of an older attraction.
We shall see, because we’re going to leave the speculation to those “other” sites…
In addition, the park has also announced that the popular “Cirque Dreams Splashtastic” WILL RETURN for a limited run again next season. (Which is being overlooked by most other sites) This, combined with the addition of “Tsunami Soaker” gives families a great way to spend their day at Discovery Kingdom.
Cirque Dreams Splashtastic will return for 2014.
And in addition to all of that – a little bit of nostalgia for fans of the park when it was Marine World Africa USA…
The park is going back to being open YEAR ROUND!
Plan your trip to Six Flags Discovery Kingdom for anytime in 2014 – it’s now open year-round!
“With the region’s mild temperatures, being open all year means guests have even more opportunity to enjoy Discovery Kingdom’s wildlife and wilder rides,” said Don McCoy, park president. “In addition to our summer daily operating schedule, we will now be open on weekends year-round ― further cementing Six Flags Discovery Kingdom as the premier destination for affordable, thrilling entertainment.“
Now of course, this means seeing rides go down during that time, just like Disney does at their parks – it will be interesting to see how this new year-round operation affects, well OPERATIONS! Seasonal parks tend to struggle to keep staffing up for some reason in California, so we’ll see how this year-round push goes this time around.
Considering the move to an annual “membership” plans for season pass sales earlier this year, it’s not surprising – but still great to hear officially.
For a complete list of the new for 2014 attractions at Six Flags parks, including some truly insane record-breakers across the country – visit this link HERE.
How Can I Help with the “Lost Parks” Series?
We get this question fairly often in the ol’ e-mail box. The short answer – YES! YES YOU CAN HELP!
How? Well, that’s easy:
1.) Share your park experiences with us:
A souvenir, photo, home video or even just a story – part of the mystique of these lost parks is the strong memories they evoke. We’re always on the hunt for a visual way to tell the story of the parks we’re featuring.
2.) Share us with the World:
We’re big on social media – so we’d love to expand our reach. But that’s where YOU come in. If you see a post that you enjoy, here’s a few ways you can help out the “Lost Parks” project:
“Like,” comment on and share posts, photos and video on Facebook.
Retweet items from our Twitter accounts.
+1 things from Google Plus.
Post our videos on your own website via an embedded file.
Plus, we’re always looking for new partnerships, so feel free to shoot me an e-mail at kris.rowberry {at} gmail.com
Having trouble finding items on our social media feeds? Just use hashtag: “#lostparks” to find most of our work.
Tell your favorite cable channels (Discovery, Travel, Destination America, History) or local broadcast stations that these guys would make a great series for them via, their social media pages.
3.) Tell your friends:
Seriously, even in this uber-connected world we live in, word of mouth is still one of the best ways to get the word out on what we’re up to. Tell your friends, show your family – heck, you just might find a few memories come up in the process!
With just those three simple steps, you can help Lost Parks of Northern California grow by leaps and bounds. Who knows where it will lead us (but that’s part of the journey – so let’s ride!)
Lost Parks Episode 3 – Manteca Waterslides Preview
Debuting September, 2013!
If you lived in Northern California odds are you remember this water park not just because they were a technological marvel of their day – but because of their catchy ad jingles. So, “Slip away today and leave your cares behind – they’re the world’s greatest, so come and ride…the Manteca Waterslides!” (1974-2004).
Throwback Thursday – from Marine World Africa USA
From the first season the park was in Vallejo – circa far too long ago!
Not sure if I could handle having long hair like that again!
Share, like and comment here:
#Hashtag Etiquette – Social Media and Your Amusement Park
#Hashtags – arguably one of the more confusing elements of social media.
For many, they’re seen as useless – for others, they’re invaluable tools for social media. So which one are they for social media and the amusement industry?
They’re actually both.
In laments terms – a hashtag is like a folder on your computer – it’s a depository for anything that uses that phrase of tag. So, if you’ve just opened up a new coaster called, let’s say Iron Rattler for example, the logical hashtag you’d want to promote is: #ironrattler. Got a halloween event coming up? Why not use #HauntCGA (If it’s Great America for instance) or #KnottsHaunt for the Knott’s Berry Farm’s event.
The whole idea behind hashtags is to get people’s attention, quickly – as well as help people discover content they’re interested in. That’s what keeps the user engaged and ultimately through your turnstiles. Because so many social networks are adopting this #hashtag feature, it behooves you to understand what they are and how to use them properly for you amusement park:
1.) Keep it simple!
The longer a hashtag, the more often it will be misspelled. In addition, the harder it will be for people to remember. Say you want to promote a specific ride one day. Your park can post “Have you ridden #theplunge today? One lucky rider will receive a backdoor pass after their ride! #YOURPARKNAMEHERE
Then, you can watch the #theplunge tags, even if you don’t have social media management software (which you SHOULD be using, if you’ve read my previous posts HERE).
2.) Make it unique, but relevant!
Say you’ve just opened up a new coaster called, let’s say Iron Rattler. The logical hashtag you’d want to promote is: #ironrattler. Got a halloween event coming up? Why not use #HauntCGA (If it’s Great America for instance) or #KnottsHaunt for the Knott’s Berry Farm’s event. You wouldn’t want someone else to be getting web traffic because of your event / advertising campaign, would you?
Not to be a shameless plug here, but whenever we shoot our “Lost Parks of Northern California” series – we always send out social media updates using the hashtag: #lostparks. Not only is it easy to remember, but it’s also unique in that it wasn’t being used before – therefore all the content using that hashtag is ours.
A logical, simple and relevant hashtag makes search engines (and users) easier to capture.
3.) Do NOT make it long!
Remember that some social networks, such as Twitter – give the user only 140 characters to get your message out. A hashtag like #welcomebackspaceexplorers probably isn’t the best bet. But, breaking them up into two smaller hashtags is a better alternative, say #spacemountain #disneyland for instance.
Stick to these guidelines, and you’ll find your SEO increase as well as your interaction via your social media pages. Just be prepared to actually interact with your users – it is SOCIAL media, after all!
In my next post, I’ll discuss the top ten post ideas you SHOULD be doing at your amusement park, regardless of size.
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Kris Rowberry has been following the amusement industry for over 15 years. He has curated social media accounts for several companies, totaling over 450,000 followers across multiple social channels. In addition, he is working on his latest video project: “The Lost Parks of Northern California”
Check out my other postings about Social Media and the Amusement Park HERE.
What does #LostParks Mean?
We’re “The Lost Parks of Northern California” – a web video series trying to track down any and all remaining pieces of the 30 amusement parks that have closed here in Northern California over the past 150 years.
And odds are – you saw us at work at California’s Great America today!
#LostParks quite simply, is our hashtag – a way for people to find out what we’re up to in a fun and engaging way across social media platforms. Come for the journey – stay for the history…ride with us!
Happy National Roller Coaster Day!
While it seems everyday is now a holiday – this is one I can get behind!
So after work today, be sure to get out to your local amusement park and celebrate National Roller Coaster Day!
Lost Parks Makes Major Connections!
Look who decided to give us a “like” on one of our behind the scenes shots from this past weekend:
You can imagine my shock when I checked my Instagram feed this afternoon…
We’ll look forward to sharing more with you, Discovery Channel! But, we’d really like for you to come along for the ride with us! : )
Call us anytime – we’re only shouting distance away from M5i and the Mythbusters!
Social Media and the Amusement Park: Don’t Take Yelp Lightly
Despite your personal opinion of the site, Yelp.com has become the de facto review source for many users on the internet. The site says that it’s “Real People, Real Reviews,” and with your amusement park being a major business in the area, chances are someone has already reviewed you and / or created a page for your park. So, how do you monitor and work Yelp to your needs? Read on:
1.) Create an officially moderated Yelp business page, then have it verified:
Multiple pages created by guests only add to confusion in search results and SEO. Plus, misinformation will spread faster.
When searching “Six Flags” in the Bay Area, these are the top four results. Note how there’s seemingly multiple accounts for the park, with reviews about the park in each one. This only makes people confused when they’re trying to find you online. True, the more of you out there, the better for SEO – but not in this case.
By creating an official, park moderated page, Yelp will be more inclined to remove errant listings, making it easier for people to find and review you. Plus, it makes it far easier to respond to guests when there’s only one place to go.
2.) Monitor, monitor, MONITOR!
Is this really an accurate review? Hardly – so why allow it to sit for others to view?
It should go without saying, but Yelp is yet another place that you need to be monitoring your image online. Just like your Facebook, Twitter and other social media accounts, Yelp should be monitored closely to make sure that any reviews placed on it are fair, accurate and not derogatory towards your business.
For example, the posting above – is it really an accurate portrayal of the park? Absolutely NOT! So why then would you allow it to stay up, for others to view 24/7? Yelp also gives you the ability to flag reviews for abuse – which is what this one should have done to it.
At the very least – a post like this should be responded to from the park’s official account with accurate information. 95% of angry guests will be quelled once they see the park responding directly to them. Don’t think of it as damage control – think of it more as an opportunity to make a new sale by bringing a guest back. Who knows – they just might upgrade to a season pass…
3.) When you’re wrong – admit it.
Would you eat at a “C” graded restaurant? How people portray you on Yelp has a major impact on decisions to visit.
Look, we’re all human, so we’re not perfect. Mistakes sometimes happen, so it’s up to you to recognize these and make them right wherever possible. But completely ignoring your internet footprint (especially on Yelp) isn’t going to make bad reviews go away.
If a bad review comes in, try to contact the guest first, off of Yelp. Get more information, and then proceed to see what can be done to correct it in the future. Remember that the sooner you contact an angry guest, the better the park looks in their eyes for wanting to assist.
4.) When all else fails, pay Yelp.
Ever wonder why some companies NEVER have a bad review on Yelp? Is it because of the service or business? Maybe. Mot likely, it’s because they pay for those reviews.
You heard right. What most people don’t know, is that companies can actually PAY to look better on Yelp. Yes, call it a shakedown, call it what you will. But the good news – you don’t have to give money to Yelp.
Just by monitoring and responding to reviews through your own company, much as you would with a customer service agent over the phone, or guest service manager would in the park – you’ll see your numbers trend upwards. At the very least, you’ll start getting a better pulse about what your guests are having issues with, and can adapt your business model around it.
Review my prior posts about “Social Media and the Amusement Park” here.
About the Author:
Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®“
The Amazing People Behind the Scenes of “Lost Parks”
The forthcoming episode of the Lost Parks of Northern California was easily our most complicated – and yet it will be our most beautiful, too. But it’s not just me that makes it look good – it’s three talented individuals, Taylor Evans, Robert Ingle and Nicholas Laschkewitsch that make it (and me) look so good.
In addition – what you may not know – is that we’re not making any money on the project. In fact, we lose money on each and every shoot, whether from travel expenses, to material from historical societies – it all costs money. But, we think bringing these parks back to life is more about expanding our skills and more importantly, reclaiming our amusement heritage.
Without these folks behind the scenes, I wouldn’t be able to complete this series! Photo by Ace Northern California, used with permission.
In addition, this upcoming episode would not have been possible without the efforts of the Mayor Pro Tem of the City of Manteca, Debbie Moorhead. Without her connections, we would have never been able to get permission to film at the slides final resting place. In addition, her interview at the Chamber of Commerce was just spectacular and was full of incredible information…
Wrapping up the interview with Mayor Pro Tem, Debbie Moorhead. Photo by ACE Northern California, used with permission.
I knew working on this series would mean making connections to make it all work – I just didn’t think it would be so much fun to do it!
Producer Nicholas and I with our new favorite tool, a ProAm USA DVC 60 camera crane. Thank you Facebook contests! Photo by ACE Northern California, used with permission.
Now, we jest need some production companies to sit up and start taking notice! C’mon guys, let’s hear from you sooner than later!
Our Next Lost Park…
We’re hoping that by choosing this park, we just might bring summer back this year…it’s freezing in the Bay Area right now!
Well, you know it from it’s catchy jingle or if you ever drove through the Central Valley on the way to Yosemite or Sonora…
That’s right! We’re going back to the “famous” MANTECA WATERSLIDES!
(SKIP to 2:40 for the good stuff…)
The Most Bad Ass Amusement Park Ride That Never Was
Eat your heart out, Intamin and S&S fans!
Yes, amusement park safety technology was pretty much non-existent back in the last 19th century, but you have to admit that this free-fall ride concept was far beyond the acceptable level of crazy for it’s day.
According to io9.com, this is from, “An 1891 issue of Scientific American. (It) showcased this invention by a one Monsieur Carron of Grenoble, France. In short, Carron had invented an amusement ride that involved 15 patrons falling almost 1,000 feet inside a 30-foot-long bullet, which then would land inside a champagne-flute-shaped, 180-foot-deep well.”
Eat your hearts out, free fall fans. This thing is crazier than the looping waterslide at Action Park in New Jersey. (The only difference – that was ACTUALLY built!)
The article also goes into very specific details on how the “ride” would work:
“Mr. Charles Carron, an engineer at Grenoble, has analytically studied the conditions in which the punctuation of the water by such a shell would be effected, and the reactions that the passengers would have to support. The conclusions of this study show that there is nothing, either theoretically or practically, opposed to its construction and to its operation in falls reaching three hundred meters. The accompanying figures give the general aspect of such a shell capable of accommodating fifteen passengers falling from a height of 300 meters […] The passengers would be securely seated in arm chairs that exactly followed the contours of their body.”
Nevermind the fact that there’s no lap bars to hold you in, or that the wind conditions at 1000 feet are far different than those on the ground. (Trust me, I used to work with an airship company – they’re WILDLY different!) True, in principle it makes sense – but we all know from the Mythbusters that real-world results can always vary!
Here’s my question – who’s ready to queue up for a modern take on this?!?
Luna Park Video Continues to Amaze!
I had the fortune of meeting with Greg Baumann, Editor-in-Chief of the Silicon Valley Business Journal recently – and it turns out he loves learning about Silicon Valley’s history, too!
Let’s hope he enjoys all 23 of the other Northern California lost parks we’re aiming to cover – thanks, Greg!
If you haven’t already checked it out, view our complete “Lost Parks of Northern California” series here: www.greatamericanthrills.net/lostparks
Reaching for the Brass Ring
Odds are, you’ve heard the phrase, “reach for the brass ring” at least a few times in your life. Heck, there’s even a website with the same theme.
But, I’m willing to bet a Fast Pass that you probably don’t know where the phrase originated – turns out, it’s amusement park related and it’s also one of the greatest pieces of nearly lost Americana.
In fact, according to the National Carousel Museum, there are only 12 places left in the United States where you can still, “reach for the brass ring.”
A carousel brass ring machine is similar to a lottery – catch the lucky ring on your ride, and you usually got a free re-ride. Only come up with a steel or iron ring? Just toss it into the (insert open mouth item here).
Reaching for the brass ring at the Santa Cruz Beach Boardwalk.
Once a staple of every carousel (just like a live band organ), the ring machine slowly feel out of favor with most parks.
Ring machines are generally a pain – literally. Anyone caught not paying attention could be in for a nasty surprise if they leaned outward at the wrong time. Plus, there’s the toll the rings take on the horses, themselves. Ring throwers aren’t always the most accurate – and ricochets also take their toll on the wooden carvings.
In addition, while brass is certainly beautiful, it has one minor flaw – it’s incredibly malleable. (Easy to bend and shape). So, while it’s great for making rings, it’s even better at jamming ring machines when they eventually deform from wear and tear.
With higher insurance premiums, threats of litigation and soaring maintenance costs – most parks opted to remove the finicky machines in order to cut costs.
Even the Santa Cruz Boardwalk , seen today as a champion for amusement history and preservation, removed its ring machine back in the 1970’s. As a result, ridership plummeted 50%. Needless to say, the ring machine was back up faster than you could say, “Welcome back, riders.”
But, for the parks that have kept this great tradition alive – it’s worth the sacrifice. For the riders, it’s just another reason to visit these traditional parks.
Thank you to the San Jose City Council, District Three!
It’s an honor to be featured in this month’s “Community Spotlight” section of the City of San Jose’s, District 3 Newsletter!
It turns out – quite a few people didn’t know about the origins of Luna Park, including the City Council!
Full text, here:
Kris Rowberry: The Lost Park of San Jose
“Great American Thrills” is a web video series that follows amusement park connoisseur, Kris Rowberry, as he hunts down the original sites and memories of Northern California’s 24 bygone amusement parks.
“I’ve always been fascinated with the history of the amusement parks I’ve visited,” said Rowberry. “This series is truly a journey back in time.”
Joining Rowberry on his journey is the Assistant Regional Representative for the American Coaster Enthusiasts (ACE) Northern California, Nicholas Laschkewitsch. He also serves as the show’s cameraman and producer.
“One of ACE’s missions is to promote the importance of preservation of both roller coasters and amusement parks,” said Laschkewitsch. “I hope the ‘Lost Parks’ series will do just that.”
Through their research, done mostly the old fashioned way in the King Library, both Rowberry and Laschkewitsch have stumbled upon countless, incredible stories about Luna Park.
“To find out that San Jose, not San Francisco, had the first pro baseball team in the Bay Area was a real shock,” said Rowberry. “Luna was built as an entertainment complex – amusement park and baseball stadium. It puts the whole territorial rights issue today in a whole new light. Plus, from the descriptions, it sounds like it was theplace to be for fireworks on the 4th of July.”
So how did he come across such an obscure piece of San Jose’s history?
“It honestly just came as inspiration driving through the Luna Park Business District and seeing all the banners,” said Rowberry. When I saw the carousel horse on one of them, I knew there had to be an amusement park here at some point. That’s the real impetus for wanting to highlight this park – well that and I lived in San Jose for nearly 26 years and never knew about it.”
Thank you Kris for bringing back the memory of Luna Park and a piece San Jose history!
Learn about Luna Park for yourself, here:
Great American Thrills® 