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Photo of the Day: Batman – the Dark Knight at Six Flags New England

There’s nothing like a custom roller coaster layout to get an enthusiast excited. Batman: The Dark Knight is a custom designed B&M “floorless” coaster.

You got to love the facial expressions I find in these shots! Always a delight when I’m post processing these types of photos.

Batman: The Dark Knight at Six Flags New England. Photo (c) 2013 Kris Rowberry and Great American Thrills

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


How Much Posting is TOO Much on Social Media?

Continuing my series on how social media can be used more effectively at amusement parks / FEC’s – just how many times should you be posting to your social media accounts on a daily basis?

Some experts feel that the higher quality the post, the less often you have to post it, while others feel that with all the filtering being done online, the more often you post, the better chances you have of actually being seen and / or heard.

The New York Times – arguably the most respected news source in the country – posts on average, seven to eight times per day. As much as you’d like to think your attraction has that much to tell the world – it simply doesn’t.*

Posting even HALF that often is enough to turn off your potential viewers. Yes, you are being filtered by Facebook and the new algorithm – but it’s not worth over-posting if most of your “likes” are going to mute your posts or worse, mark them all as spam.

If RollerCoasterTycoon had a social media option, I’d be posting a maximum of three times a day while open, once a day when closed.

Post #1: Morning, Before Opening

Post #2: Midday

Post #3: End of Operating Day

Rotate the timing of each of these posts (i.e. Don’t post a funny / cool photo each day at 3:00pm, spice it up a little).

It should go without saying, but you simply MUST be scheduling posts – to try and keep up with each post each day will ultimately drive you nuts. To assist in keeping your sanity, a scheduling software solution, such as TweetDeck or HootSuite is an absolute must! (I’ll be going into more detail on how to use HootSuite with my #Hashtag post soon)

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Also to help with keeping up with your quota – consider “banking” photos over your operating season, as well – if you can’t find anything interesting to post about one day, use one of those banked photos.

Remember that while rides are fun, most people visit parks to enjoy the fun WITH OTHERS. Highlighting unique groups in your attraction, big game winners and specific attractions is sure to bring in more views (plus more turnstiles rotating).

Fan submitted photos are also a great (and often overlooked) way to have your social media content create itself. But, as I said in my first posting on this series – never forget that the entire purpose of social media is NOT to sell to your followers directly – it’s to start a conversation and interact with them.

Once you throw up an update, be prepared to interact with people. “Like Bait,” as it’s known, has a place on Facebook, but it will never convert those eyeballs to your turnstiles unless they can feel a connection to your attraction. For instance, posting a cool photo of your roller coaster may get 1,000 likes, but people will also ask questions, too. Each one of those questions is an opportunity to connect (and THEN sell your product to them AND all their friends).

If you’re a seasonal park, take advantage of the off-season to show all the transformative work going on behind-the-scenes. Just be aware that trying to sell a season pass in the middle of the winter with a photo of a dry waterslide probably isn’t going to go very viral. However, a video of employees sliding down said slide in a bathing suit – in the snow, now THAT’S different!)

If you’re shooting your own photos to post on Facebook, Twitter and / or Google+ (and you should be) and you’re using a DSLR (i.e. NOT a cell phone camera) adding a watermark with your website or hashtag is absolutely necessary. People will inevitably share quality or memorable photos – and with watermarked information on them, your logo and website will be sitting right there in front of all those shares for consumption.

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Which one of these social media update photos would YOU want to be saved as a follower’s new computer background? (Airship Ventures, 2007 – 2012)

So, don’t fill guests (or potential guests) feeds, walls or updates with tons of info, photos and sales pitches – just nurture them. There’s no reason to go crazy and post 15 Instagram shots of your newest ride. You’ll see your following grow and ultimately see more butts through the turnstiles.

In my next article, I’ll be talking about #hashtags – what are they? How can you use them to promote your attraction / FEC?

*The only exception to this rule is when your attraction is facing a crisis situation or dangerous weather conditions.

Review my prior posts about “Social Media and the Amusement Park” here.

About the Author:

Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®


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Photo of the Day: Iron Rattler at Six Flags Fiesta Texas

Iron Rattler at Six Flags Fiesta Texas

There are roller coasters – and then they’re EPIC roller coasters. Iron Rattler at Six Flags Fiesta Texas is one of those attractions that takes your breath away.

Once the tallest wooden coaster on Earth, the Rattler was transformed this past off season to include Rocky Mountain Construction’s Iron Horse Track (similar to the track on Texas Giant just a few hours north). The ride is now smooth, powerful and FORCEFUL  – definitely a steel coaster that should rank in your top three in the world after you ride it.

Did we mention there’s a clever inversion on it, too?

Iron Rattler at Six Flags Fiesta Texas

A HUGE thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


Coaster “Bender” Trip – Vital Stats

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

9 – Number of days the trip lasted

5,968 – Total mileage flown

3 – Number of rental car models I rented

4 – Number of Six Flags parks visited

6 – Number of wooden coasters on the trip

3 – Number of coasters missed (2 closed, one required child accompaniment)

$493.93 – Estimated amount of money saved by upgrading to a GOLD Six Flags Season Pass

1 – Number of Cicadas encountered (On the motel door / eyehole in Spiringfield, MA…thankfully only molting).


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Caption Contest: Facebook Face Recognition FAIL

"Face" on Iron Rattler. Photo (c) 2013 Great American Thrills and Kris Rowberry.

While working on editing photos from my recent marathon trip across the country these past two weeks, I couldn’t help but laugh at what Facebook thought was a face…it’s actually a wheel bogey from the “epic” Iron Rattler at Six Flags Fiesta Texas."Face" on Iron Rattler. Photo (c) 2013 Great American Thrills and Kris Rowberry.

What’s your best caption for this shot?


Season Pass Podcast Interview

We had the pleasure of being interviewed at the Gold Striker media day by the great Doug Barnes of “The Season Pass” podcast. Check out the interview about halfway through at the link below:

Can’t wait to talk up “Lost Parks” some more in the future, Doug!

iTunes:

https://itunes.apple.com/podcast/the-season-pass-the-essential/id268430539

Direct Link:

http://traffic.libsyn.com/seasonpasspodcast/The_Season_Pass_235.mp3

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Photo of the Day: Gateway Arch in St. Louis, MO

Gateway Arch at Jefferson Western Expansion Memorial. Photo (c) 2013 Great American Thrills and Kris Rowberry.

It may have been a little rainy, bit that didn’t dampen our moods to cross off, “visit the St. Louis Arch” off our bucket lists this weekend!

This disorienting view comes from the the center most window (there is no centered window, as that is where the “keystone” to the arch sits, and must be the strongest portion of the structure.)

It’s quite a weird feeling to realize that unlike a building observation deck, there’s absolutely nothing below you.

Oh, and the ride to the top – worthy of any thrill ride I’ve ever been on…thank you Eero Saarinen!

Gateway Arch at Jefferson Western Expansion Memorial. Photo (c) 2013 Great American Thrills and Kris Rowberry.

A HUGE thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


How to use YouTube to Combat Cell Phones on Coasters

Seems counter intuitive, right? How can the very thing that allows dangerous, illegal POV video to be so popular be used to stop it? Well, read on and find out:

Arguably, cell phones are one of the greatest inventions of the past century – the convenience of being on contact whenever, where ever. The freedom to upload photos and videos at any moment – including while guests are on your rides and attractions.

You don’t have to hear me tell you that cell phone filming on rides is an epidemic in our industry. It’s pushing insurance premiums higher and higher. A projectile of that density, loose at 65mph could be several injury lawsuits just waiting to happen, not to mention the bad publicity in the media.

Before the Gold Striker wooden roller coaster even opened to the public at California’s Great America this past month, guests were seen filming on the ride using cell phones. When opening day came, the second train of the day that featured general public passengers had three (3) cell phones out.

“But we already provide guests with storage options while they’re on rides!”

Sadly, that doesn’t matter. The mentality of guests today, specifically Millennials, is to not experience the ride they’re on, but to record and share the experience with all their friends. The more “Likes” on Facebook, the higher “Thumbs Up “ count on YouTube, the better.

 “But, it’s free publicity!” 

Yes, it is free publicity – telling everyone online that it’s okay to film on your rides – and risk the safety of everyone around them. It’s nothing a good marketing campaign of your own marketing team couldn’t accomplish (see #3).

So how then, does your park stop this major liability and potentially lower your insurance premiums at the same time? It’s actually a simple, three step process:

1.)  When it Comes to your Park’s Policies, “Grow a Pair”

Stark as it is, it needs to be said. For so many years, park guests have received warnings about what NOT to do at a park. They’ve received so many that they’ve become complacent to them. A good comparison would be to think about the last time you actually picked up a safety card in an airplane and read it. That’s the same mentality going on with your younger guests.

Also to consider – Millennials expect warnings. They’re willing to go right up to the warning and only back down when confronted. This is a generation where “everybody’s a winner,” and there’s little to no consequences to their actions. If your sign says “anyone caught with a camera on a ride will be removed from the park” then DO IT. (While deleting or confiscating the offending device.) The only way to change guests’ behavior is to show them that you mean business.

For example, Six Flags New England has a single warning sign at every high profile attraction. It reads, “Any cell phone or filming on this ride will result in immediate ejection from the park, no refunds and a 5 year ban from the park.” That gets people’s attention. In addition, all of their ride auto spiels also include a warning: “Anyone using a cell phone or MP3 payer to record while on the ride is subject to immediate dismissal from the park by Six Flags Security.”

The Santa Cruz Beach Boardwalk goes a step further. Ride attendants actively monitor the lift hill of the Giant Dipper roller coaster via security video. If a cell phone or other recording device is seen, the ride is immediately stopped and will not start again until the offending device is put away. If the device re-appears after the lift, security is called to wait at the station, takes away any tickets or passes the guest may have and is escorted immediately off park property.

Now that you’ve taken the first steps to stem the flow of content at the source, it’s time to move onto where the content lives…online.

2.)  Actively monitor and police social media, especially YouTube.

This should go without saying, especially if you read my last post – but if you don’t watch your social media channels continuously, you’re in for a shock…

What’s your signature ride at your park? Go ahead and search it on YouTube, I’ll wait…

Okay, you’re back? Great – how many results came up? Each one of those videos are potential lawsuits from injured guests, who will blame you for allowing people to film on rides. The real scary part – these are only the videos that were tagged properly on YouTube – many more could potentially exist without proper tagging or incorrect spellings. (Not to mention Facebook videos as well.)

Remember, this is your property people are filming on. You are well within your rights as a park to have videos on YouTube flagged or taken down for safety, security or other reasons.

Use the ban as an opportunity. In the complaint, be sure to add a link to an authorized POV (point of view) video that came from the park, with a friendly reminder to not film on rides.

Some park-centric websites have gone so far as to monetize videos filmed at parks . Yes, you heard me correctly – they were filming commercially – and they paid none of your fees, had no insurance coverage AND you didn’t even know they were there. You wouldn’t allow a film crew to just wander around the park without your spokesperson, so why would you allow this?

3.)  Film (and share liberally) professional, on-ride video that you created or authorized.

Gone are the days of needing a film crew, jibs, cranes and more when it comes to making high quality video. A simple GoPro Hero with accompanying mounts will run your department about $400-$450 after tax. That’s a small price to pay to avoid millions in lawsuits.

Mount the camera on either the handlebars of the front car, or via the suction cup mount to a flat, non-porous surface. Duct tape can be used to stabilize the rig, but it’s not necessary in many cases. Never use any footage that could come across as shaky, or handheld. You’ll run the risk of having it look too much like a cell phone video; guests will be only encouraged to film on their own.

Now that you have authorized POV, post your video everywhere – not just on YouTube. Link to it via your other social media outlets – have it available for download for free (just be sure you include your personal watermark to show it’s really from the park). Have a QR code posted near the ride exit, so guests can scan it and receive a link to the video. It takes the work (and risk) of filming on a ride out of the hands of the guests – it’s already been done for them!

Combine that with active monitoring and better training for ride attendants, and you’ll see a significant decrease in after the ride and receive it on their phone. Take all the work out of guests filming and put it on yourself – you will see results quickly and hopefully, watch your insurance premiums decrease as well.

Review my prior posts about “Social Media and the Amusement Park” here.

About the Author:

Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®


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Photo of the Day: Boomerang at Six Flags St. Louis

Boomerang at Six Flags St. Louis. Photo (c) 2013 Kris Rowberry and Great American Thrills

Yesterday, Six Flags St. Louis unveiled their latest coaster in their collection and Great American Thrills was there on OPENING DAY to see what the venerable Vekoma design had in store for guests.

Amazingly, the ride is SMOOTH for a Vekoma – and the park is working diligently to improve the catch on the second hill to eliminate that traditional “thud” that’s so common on this model. The ride sits between the Tidal Wave flume, Sky Screamer and venerable Screamin’ Eagle wooden coaster at the top of the park.

Boomerang at Six Flags St. Louis. Photo (c) 2013 Kris Rowberry and Great American Thrills

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: Loose Articles under Mr. Freeze

Cell Phone carnage at Six Flags St. Louis. Photo (c) 2013 Great American Thrills and Kris Rowberry

This is the reason that parks don’t want you to have loose articles onboard roller coasters – because this is almost ALWAYS their fate!

Cell Phone carnage at Six Flags St. Louis. Photo (c) 2013 Great American Thrills and Kris Rowberry

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: Bizarro at Six Flags New England

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

Originally called Riverside Park, Six Flags New England is by definition the oldest in the chain (opened in 1840) – however, it has only been a Six Flags branded park since 1999.

One of the first major attractions added was Superman: Ride of Steel. The ride was recently re-themed to Bizzaro, complete with mist, sound and lighting effects (That weren’t on during my visit – which wasn’t a bad thing, actually.)

This coaster has won several Golden Tickets (Five in total) – and it’s easy to see why – this turn has become the de-facto “photo” of SFNE and was even featured in an episode of Family Guy! (See below)

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

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Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: Roar! at Six Flags Discovery Kingdom

Roar at Six Flags Discovery Kingdom. Photo (c) 2013, Great American Thrills and Kris Rowberry

When it opened in 1998, Roar! was the first modern wooden coaster to feature “Millennium Flyer” trains. Using patents and designs from the 1920’s, Great Coasters, International were able to make this version of Roar! with tighter curves and sharper transitions, simply because the trains’ were able to negotiate them better. All GCI installations since now feature these “throwback” trains.

Sadly, this coaster has deteriorated rapidly in the past few years – and is so rough, that I’d have to recommend a PASS on riding it – which is hard to do, considering it’s amazing layout and speed.

Roar at Six Flags Discovery Kingdom. Photo (c) 2013, Great American Thrills and Kris Rowberry

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: El Toro at Six Flags Great Adventure

El Toro at Six Flags Great Adventure. Photo (c) 2013 Great american Thrills and Kris Rowberry

Since opening on June 11th, 2006 – El Toro has maintained the #2 or #1 spot in the world for wooden roller coasters. With the second steepest drop in the world (78 degrees), speeds up to 70 mph and airtime hills that would make any coaster phobic just looking at them, you can see why this next generation wooden coaster ranks so high.

I swear that I caught Bubba the Love Sponge and (then) wife Heather Clem in the front row that day. Can anyone validate that claim?

El Toro at Six Flags Great Adventure. Photo (c) 2013 Great american Thrills and Kris Rowberry

Consistently ranked the #1 wooden roller coaster in the world since opening. The smiles say it all.

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Star Tower POV (Point of View) Video

Need a break at work today? Then come along for quite possibly the SLOWEST point of view (POV) video that you will ever see of any amusement park ride on Earth – here’s the complete ride cycle for the 200 foot tall Star Tower at California’s Great America. That being said, you’ll see all of the major attractions of the park in action – a rare feat to capture in just one ride!


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Photo of the Day: World of Color at Disney California Adventure Park

World of Color at Disney California Adventure Park. Photo (c) 2013 Great american Thrills and Kris Rowberry

There are theme park shows – and then there are Disney theme park shows.

Then there’s “World of Color.”

In my lifetime, the best show that I ever saw at any park was EPCOT’s Illuminations – the sight of the night sky turning to daylight for that brief moment still resides with me. I thought that memory would never be supplanted – until I saw “World of Color.” Years in the making and millions of dollars in R&D, and it’s safe to say that those Imagineers got it right…again. To think this photo was shot AFTER the show ends.

Just be sure to bring a rain jacket – a slight change in wind direction will leave you soaked.

World of Color at Disney California Adventure Park. Photo (c) 2013 Great american Thrills and Kris Rowberry

In terms of event entertainment, “World of Color” takes the cake. People will begin lining up for showings two (2) hours prior.

Thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Gold Striker Video – Rider Reactions

With Gold Striker now officially open to the public at California’s Great America – enjoy this on-ride video of myself and “Lost Parks” Producer, Nicholas Laschkewitsch (who is also the ACE NorCal Asst. Regional Rep) taking in a ride.


Gold Striker NOW OPEN at California’s Great America

Yes, it’s official. As of this afternoon, the Gold Rush has officially met your adrenaline rush – GOLD STRIKER at California’s Great America is now offically OPEN TO THE PUBLIC!

Look for a full media review in the next few days – but for now, get out and enjoy Gold Striker at California’s Great America!

Gold Striker at California's Great America

Gold Striker is officially open to the public!

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Social Media and Your Amusement Park

Arguably, the biggest change in terms of marketing in the past decade has to be the meteoric rise of social media.

In the past (referred to as web 1.0), parks and attractions had fan pages or message boards that covered daily events or changes. In some cases, these outlets also promoted the park in a positive light, but that wasn’t always guaranteed.

Today (in web 2.0), parks now have the ability to schedule and control messages to potential and repeat customers on an ongoing, daily basis. Even the best television campaign could not reach such a targeted audience.

But, being relatively new to the game, many parks don’t quite understand how to use social media properly to benefit them. Sadly, in many cases, parks are shooting themselves in the digital foot.

So how then can your park or attraction avoid the most common pitfalls of social media?

1.)    Social media means just that – BE SOCIAL!

The point of social media is to start (or maintain) a conversation. Whether it’s between you and your customers, or your customers and potential customers – once a story or idea starts online it can quickly lead to revenue, if it gains enough traction and virality.

However, simply throwing up a daily update on something cool about the park is not going to reach most of your audience. Just because you have 50,000 likes on Facebook, does not mean all 50,000 are seeing your post.

Not everyone enjoys pretty pictures – some are more engaged with a “What’s this Part” or “Flashback Friday” post. Create a weekly checklist of specific post types so that you can reach a greater majority of your online audience.

2.)    Always promoting an item or product is social media poison.

Yes, we’re all looking for a quick return on investment, but consider this: If you throw away junk mail whenever it comes in your mailbox at home, why wouldn’t you do the same if presented with the same situation on your social media channels?

While a thinly veiled call to action is okay every now and then, it’s not good to fill your feed up with “BUY THIS!” in each and every post you put out. Simply put, lose the 1960’s “Mad Men” advertising jargon that we all have had been beaten into our heads over our lives, and be more, “real.”

That being said, don’t forget that your social media posts are a major (and instant) public-facing outlet that has the potential to reach millions if something goes awry.

Simply put, social media is not something you assign your seasonal marketing intern as a fun project. It should be a full-time position, as it can actually keep your audience engaged (and spending money) even in the off-seasons.

3.)    While your park or attraction may close for the night, your social media feeds don’t.

Remember that the internet is on 24/7/365. While a majority of posts are made between 8:00am and 8:00pm, that can change depending on your audience and operating hours. Responding to posts, both good and bad, in a timely manner can mean the difference between closing a sale and losing a customer for life.

In addition, the larger your social media audience becomes, the more susceptible you become to nefarious postings, such as links to pornography on your public facing wall or feed. The faster you can pull them down, the less people will have seen it.

4.)    Negative feedback on your social media feed is an opportunity, not blight.

The absolute, worst behavior a park could do when managing negative feedback on social media is to simply ignore it. There are very limited circumstances where a deleted comment or all-out ban from the page could be necessary, but if managed properly, these situations are rare.

Nothing will make an angry guest feel better than to know that someone is listening or trying to rectify the situation. Even if it’s simply re-iterating a policy that the guest does not agree with, it’s still better to show the effort to others on the feed than to delete it or worse, ignore it altogether.

5.)    Stir (and track) conversation with park centric hash tags, but don’t make it too complicated

Remember the old “Kodak Photo Spot” in your park? Hash tags are the new photo spot. Create a simple one to see what people are doing and saying in your park, along with mentions of things that people may talk about, such as new attractions.

Because you’ll be tracking mentions and hash tags, you’ll quickly discover that a good majority of your social media content literally writes or creates itself. You can share guest photos, positive experiences and interact directly with them. I guarantee they’ll want to share with all their friends and family that, “…’So and So Park’ re-tweeted my pic!” That’s social media at work.

6.)    Use cell phone photos only when absolutely necessary – have a DSLR with you.

Cell phone cameras are convenient, yes – but they have limitations in terms of quality. While it’s easy to post an update from inside your park via phone, try to resist. A higher quality photo – from a SLR style camera – will allow you to add logo watermarks back in the office. A higher quality photo will also encourage people to save it on their desktop or share it with others – where it will always be in front of them at work, home or their mobile device. And your logo is right there next to it.

Shares and re-tweets, however can be cell phone shots – as these are directly from guests. A higher quality photo automatically sets the parks’ content above the guests, so it becomes more recognizable.

7.)    Use the outlets that work the best for your skill and for your park.

While it’s not a bad idea to get your feet in the water on as many of the popular social networks as possible – beware that they all have different audiences and content requirements. Google+ tends to be a more educated, affluent crowd. Instagram requires only photos, while Pinterest is weighted heavily towards women.

Don’t try to overreach when you first start off – go with the outlets that make most sense to you and your audience. Once you’re comfortable, slowly begin to expand. Sometimes too much of a good thing is well, too much!

Review my prior posts about “Social Media and the Amusement Park” here.

About the Author:

Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®


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Photo of the Day: Honolulu Halfpipe at Waterworld Concord

Honolulu Halfpipe at Waterworld Concord. Photo (c) 2013 Great american Thrills and Kris Rowberry

Whenever I’m walking around a park, I’ve always got my camera ready – just in case an opportunity presents itself. Of course, at a waterpark it tends to be a bit more difficult. Not only do you have to worry about the water hitting your camera, but you’ve also got to be careful not to look like a total creep taking photos of half naked people. (Unless that’s what you’re doing, in which case please stand out so security can escort you out).

Thankfully, I didn’t have to worry about that second part when I took this shot – I was working for the park at the time and in full uniform, too. “Honolulu Halfpipe” sends riders sloshing back and forth until they stop at the bottom – and simply step out to the side of the half-pipe. Great for the quick shot of “airtime,” too!

Honolulu Halfpipe at Waterworld Concord. Photo (c) 2013 Great american Thrills and Kris Rowberry

Thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

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Photo of the Day: Giant Dipper Flash-Lapse

In honor of the Coaster Guy visiting Santa Cruz, I dug through the archives to find an awesome boardwalk shot…

They say going to visit the Santa Cruz Beach Boardwalk is like stepping back in time. With the effect that I captured with this photo, it almost looks like the Morgan trains ARE going back in time, a la “Back to the Future.”

Now, if only the idiot didn’t have his cell phone out, it would have been perfect. I’ll definitely be going back this summer again – but with a tripod!

Giant Dipper roller coaster at the Santa Cruz Beach Boardwalk. Photo (c) copyright 2013 - Great American Thrills and Kris Rowberry

As always, a big thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

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Photo of the Day: Thunder Run at Six Flags Kentucky Kingdom

Thunder Run at Six Flags Kentucky Kingdom. Photo (c) 2013 Great american Thrills and Kris Rowberry

Just shouting distance from both Churchill Downs and sitting between the flight path to Louisville Int’l Airport, (Then) Six Flags Kentucky Kingdom had a tough life. The park was poorly designed, owing to it’s confusing layout and bisected sections. While it WAS part of the Six Flags chain, it stood on state fair land – and had to relinquish control (and profits) of all it’s rides and attractions for two weeks, while the state fair was occurring.

When I visited in 2008, the back half the park was closed due to financial reasons. The park closed that next year.

Closed for several years now, Kentucky Kingdom park is looking to make a comeback in the next few months by re-launching without a major brand behind it. (I.E. it is no longer part of the Six Flags brand).

Ed Hart, the former park president who famously posed for this photo,will once again head operations.

Thunder Run at Six Flags Kentucky Kingdom. Photo (c) 2013 Great american Thrills and Kris Rowberry

Thunder Run was a highlight of the park, even in the “lean” years before it closed.

As always, a big thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: Tatsu at Six Flags Magic Mountain

Tatsu at Six Flags Magic Mountain. Photo (c) 2013 Great american Thrills and Kris Rowberry

When you build a ride at Six Flags Magic Mountain, there’s an expectation that it has to be bigger and badder than the rest. Tatsu is definitely one of those coasters.

Built on the top of the large hill that defines the park, Tatsu is easily the most intense flying coaster built by Bolliger and Mabillard. I dare you to find a better lift on a ride – as you climb, the terrain falls below you, giving the illusion of rising much faster than you actually are!

Tatsu at Six Flags Magic Mountain. Photo (c) 2013 Great american Thrills and Kris Rowberry

When it opened, Tatsu featured the largest inversion on a flying coaster – the VERY intense “pretzel loop” element.

As always, a big thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

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Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: Looff Carousel Ring Machine

As the last of the great seaside amusement parks, visiting the Santa Cruz Beach Boardwalk is like literally stepping back in time. It is home to not one, but TWO national historic landmarks (The 1911 Looff Carousel and 1924 Giant Dipper roller coaster.) Both of these federal landmarks are unique, in that people can actually ride them, rather than admire them from a distance.

This shot was one of my first forays with the stunning Canon 5D Mark III – and the results were simply spectacular. Look for the cut on the finger from the previous pass at the ring machine…now THAT’S dedication!

Looff Carousel at the Santa Cruz Beach Boardwalk. Photo (c) copyright 2013 - Great American Thrills and Kris Rowberry

The 1911 Looff Carousel at the Santa Cruz Beach Boardwalk is one of only 5 left in the world with an operating ring machine.

As always, a big thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry


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Photo of the Day: Carousel Columbia at “Blue Hour”

Carousel Columbia at California's Great America. Photo (c) copyright 2013 - Great American Thrills and Kris Rowberry

Quite simply, this is one of the best long exposures I’ve ever taken. Done with a Nikon D7100, 24-70mm lens and NO tripod – just stayed as still as possible. Columbia is still the World’s Tallest Carousel as recognized by Guinness World Records at just over 101 feet tall.

Carousel Columbia at California's Great America. Photo (c) copyright 2013 - Great American Thrills and Kris Rowberry

Still the tallest carousel in the world, Carousel Columbia makes for a stunning subject at night. Now, if only all the accent lighting were working…

As always, a big thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

Tweet me on Twitter: http://www.twitter.com/krowberry

+1 me on Google+: https://plus.google.com/u/1/115502587437263155125/posts

Follow me on Instagram: http://instagram.com/krowberry