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Photo of the Day: Iron Rattler at Six Flags Fiesta Texas

Iron Rattler at Six Flags Fiesta Texas

There are roller coasters – and then they’re EPIC roller coasters. Iron Rattler at Six Flags Fiesta Texas is one of those attractions that takes your breath away.

Once the tallest wooden coaster on Earth, the Rattler was transformed this past off season to include Rocky Mountain Construction’s Iron Horse Track (similar to the track on Texas Giant just a few hours north). The ride is now smooth, powerful and FORCEFUL  – definitely a steel coaster that should rank in your top three in the world after you ride it.

Did we mention there’s a clever inversion on it, too?

Iron Rattler at Six Flags Fiesta Texas

A HUGE thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

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Coaster “Bender” Trip – Vital Stats

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

9 – Number of days the trip lasted

5,968 – Total mileage flown

3 – Number of rental car models I rented

4 – Number of Six Flags parks visited

6 – Number of wooden coasters on the trip

3 – Number of coasters missed (2 closed, one required child accompaniment)

$493.93 – Estimated amount of money saved by upgrading to a GOLD Six Flags Season Pass

1 – Number of Cicadas encountered (On the motel door / eyehole in Spiringfield, MA…thankfully only molting).


Season Pass Podcast Interview

We had the pleasure of being interviewed at the Gold Striker media day by the great Doug Barnes of “The Season Pass” podcast. Check out the interview about halfway through at the link below:

Can’t wait to talk up “Lost Parks” some more in the future, Doug!

iTunes:

https://itunes.apple.com/podcast/the-season-pass-the-essential/id268430539

Direct Link:

http://traffic.libsyn.com/seasonpasspodcast/The_Season_Pass_235.mp3

Season-Pass-Podcast-Logo


How to use YouTube to Combat Cell Phones on Coasters

Seems counter intuitive, right? How can the very thing that allows dangerous, illegal POV video to be so popular be used to stop it? Well, read on and find out:

Arguably, cell phones are one of the greatest inventions of the past century – the convenience of being on contact whenever, where ever. The freedom to upload photos and videos at any moment – including while guests are on your rides and attractions.

You don’t have to hear me tell you that cell phone filming on rides is an epidemic in our industry. It’s pushing insurance premiums higher and higher. A projectile of that density, loose at 65mph could be several injury lawsuits just waiting to happen, not to mention the bad publicity in the media.

Before the Gold Striker wooden roller coaster even opened to the public at California’s Great America this past month, guests were seen filming on the ride using cell phones. When opening day came, the second train of the day that featured general public passengers had three (3) cell phones out.

“But we already provide guests with storage options while they’re on rides!”

Sadly, that doesn’t matter. The mentality of guests today, specifically Millennials, is to not experience the ride they’re on, but to record and share the experience with all their friends. The more “Likes” on Facebook, the higher “Thumbs Up “ count on YouTube, the better.

 “But, it’s free publicity!” 

Yes, it is free publicity – telling everyone online that it’s okay to film on your rides – and risk the safety of everyone around them. It’s nothing a good marketing campaign of your own marketing team couldn’t accomplish (see #3).

So how then, does your park stop this major liability and potentially lower your insurance premiums at the same time? It’s actually a simple, three step process:

1.)  When it Comes to your Park’s Policies, “Grow a Pair”

Stark as it is, it needs to be said. For so many years, park guests have received warnings about what NOT to do at a park. They’ve received so many that they’ve become complacent to them. A good comparison would be to think about the last time you actually picked up a safety card in an airplane and read it. That’s the same mentality going on with your younger guests.

Also to consider – Millennials expect warnings. They’re willing to go right up to the warning and only back down when confronted. This is a generation where “everybody’s a winner,” and there’s little to no consequences to their actions. If your sign says “anyone caught with a camera on a ride will be removed from the park” then DO IT. (While deleting or confiscating the offending device.) The only way to change guests’ behavior is to show them that you mean business.

For example, Six Flags New England has a single warning sign at every high profile attraction. It reads, “Any cell phone or filming on this ride will result in immediate ejection from the park, no refunds and a 5 year ban from the park.” That gets people’s attention. In addition, all of their ride auto spiels also include a warning: “Anyone using a cell phone or MP3 payer to record while on the ride is subject to immediate dismissal from the park by Six Flags Security.”

The Santa Cruz Beach Boardwalk goes a step further. Ride attendants actively monitor the lift hill of the Giant Dipper roller coaster via security video. If a cell phone or other recording device is seen, the ride is immediately stopped and will not start again until the offending device is put away. If the device re-appears after the lift, security is called to wait at the station, takes away any tickets or passes the guest may have and is escorted immediately off park property.

Now that you’ve taken the first steps to stem the flow of content at the source, it’s time to move onto where the content lives…online.

2.)  Actively monitor and police social media, especially YouTube.

This should go without saying, especially if you read my last post – but if you don’t watch your social media channels continuously, you’re in for a shock…

What’s your signature ride at your park? Go ahead and search it on YouTube, I’ll wait…

Okay, you’re back? Great – how many results came up? Each one of those videos are potential lawsuits from injured guests, who will blame you for allowing people to film on rides. The real scary part – these are only the videos that were tagged properly on YouTube – many more could potentially exist without proper tagging or incorrect spellings. (Not to mention Facebook videos as well.)

Remember, this is your property people are filming on. You are well within your rights as a park to have videos on YouTube flagged or taken down for safety, security or other reasons.

Use the ban as an opportunity. In the complaint, be sure to add a link to an authorized POV (point of view) video that came from the park, with a friendly reminder to not film on rides.

Some park-centric websites have gone so far as to monetize videos filmed at parks . Yes, you heard me correctly – they were filming commercially – and they paid none of your fees, had no insurance coverage AND you didn’t even know they were there. You wouldn’t allow a film crew to just wander around the park without your spokesperson, so why would you allow this?

3.)  Film (and share liberally) professional, on-ride video that you created or authorized.

Gone are the days of needing a film crew, jibs, cranes and more when it comes to making high quality video. A simple GoPro Hero with accompanying mounts will run your department about $400-$450 after tax. That’s a small price to pay to avoid millions in lawsuits.

Mount the camera on either the handlebars of the front car, or via the suction cup mount to a flat, non-porous surface. Duct tape can be used to stabilize the rig, but it’s not necessary in many cases. Never use any footage that could come across as shaky, or handheld. You’ll run the risk of having it look too much like a cell phone video; guests will be only encouraged to film on their own.

Now that you have authorized POV, post your video everywhere – not just on YouTube. Link to it via your other social media outlets – have it available for download for free (just be sure you include your personal watermark to show it’s really from the park). Have a QR code posted near the ride exit, so guests can scan it and receive a link to the video. It takes the work (and risk) of filming on a ride out of the hands of the guests – it’s already been done for them!

Combine that with active monitoring and better training for ride attendants, and you’ll see a significant decrease in after the ride and receive it on their phone. Take all the work out of guests filming and put it on yourself – you will see results quickly and hopefully, watch your insurance premiums decrease as well.

Review my prior posts about “Social Media and the Amusement Park” here.

About the Author:

Kris Rowberry has been following the amusement industry for over 15 years. He is the creator and host of both “The Lost Parks of Northern California” and “Great American Thrills®


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Photo of the Day: Boomerang at Six Flags St. Louis

Boomerang at Six Flags St. Louis. Photo (c) 2013 Kris Rowberry and Great American Thrills

Yesterday, Six Flags St. Louis unveiled their latest coaster in their collection and Great American Thrills was there on OPENING DAY to see what the venerable Vekoma design had in store for guests.

Amazingly, the ride is SMOOTH for a Vekoma – and the park is working diligently to improve the catch on the second hill to eliminate that traditional “thud” that’s so common on this model. The ride sits between the Tidal Wave flume, Sky Screamer and venerable Screamin’ Eagle wooden coaster at the top of the park.

Boomerang at Six Flags St. Louis. Photo (c) 2013 Kris Rowberry and Great American Thrills

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

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Photo of the Day: Loose Articles under Mr. Freeze

Cell Phone carnage at Six Flags St. Louis. Photo (c) 2013 Great American Thrills and Kris Rowberry

This is the reason that parks don’t want you to have loose articles onboard roller coasters – because this is almost ALWAYS their fate!

Cell Phone carnage at Six Flags St. Louis. Photo (c) 2013 Great American Thrills and Kris Rowberry

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

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Photo of the Day: Bizarro at Six Flags New England

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

Originally called Riverside Park, Six Flags New England is by definition the oldest in the chain (opened in 1840) – however, it has only been a Six Flags branded park since 1999.

One of the first major attractions added was Superman: Ride of Steel. The ride was recently re-themed to Bizzaro, complete with mist, sound and lighting effects (That weren’t on during my visit – which wasn’t a bad thing, actually.)

This coaster has won several Golden Tickets (Five in total) – and it’s easy to see why – this turn has become the de-facto “photo” of SFNE and was even featured in an episode of Family Guy! (See below)

Bizzaro at Six Flags New England. Photo (c) 2013, Great American Thrills and Kris Rowberry

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Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

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Photo of the Day: Roar! at Six Flags Discovery Kingdom

Roar at Six Flags Discovery Kingdom. Photo (c) 2013, Great American Thrills and Kris Rowberry

When it opened in 1998, Roar! was the first modern wooden coaster to feature “Millennium Flyer” trains. Using patents and designs from the 1920’s, Great Coasters, International were able to make this version of Roar! with tighter curves and sharper transitions, simply because the trains’ were able to negotiate them better. All GCI installations since now feature these “throwback” trains.

Sadly, this coaster has deteriorated rapidly in the past few years – and is so rough, that I’d have to recommend a PASS on riding it – which is hard to do, considering it’s amazing layout and speed.

Roar at Six Flags Discovery Kingdom. Photo (c) 2013, Great American Thrills and Kris Rowberry

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

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Photo of the Day: El Toro at Six Flags Great Adventure

El Toro at Six Flags Great Adventure. Photo (c) 2013 Great american Thrills and Kris Rowberry

Since opening on June 11th, 2006 – El Toro has maintained the #2 or #1 spot in the world for wooden roller coasters. With the second steepest drop in the world (78 degrees), speeds up to 70 mph and airtime hills that would make any coaster phobic just looking at them, you can see why this next generation wooden coaster ranks so high.

I swear that I caught Bubba the Love Sponge and (then) wife Heather Clem in the front row that day. Can anyone validate that claim?

El Toro at Six Flags Great Adventure. Photo (c) 2013 Great american Thrills and Kris Rowberry

Consistently ranked the #1 wooden roller coaster in the world since opening. The smiles say it all.

Big thanks goes out to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

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Photo of the Day: World of Color at Disney California Adventure Park

World of Color at Disney California Adventure Park. Photo (c) 2013 Great american Thrills and Kris Rowberry

There are theme park shows – and then there are Disney theme park shows.

Then there’s “World of Color.”

In my lifetime, the best show that I ever saw at any park was EPCOT’s Illuminations – the sight of the night sky turning to daylight for that brief moment still resides with me. I thought that memory would never be supplanted – until I saw “World of Color.” Years in the making and millions of dollars in R&D, and it’s safe to say that those Imagineers got it right…again. To think this photo was shot AFTER the show ends.

Just be sure to bring a rain jacket – a slight change in wind direction will leave you soaked.

World of Color at Disney California Adventure Park. Photo (c) 2013 Great american Thrills and Kris Rowberry

In terms of event entertainment, “World of Color” takes the cake. People will begin lining up for showings two (2) hours prior.

Thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

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Gold Striker Video – Rider Reactions

With Gold Striker now officially open to the public at California’s Great America – enjoy this on-ride video of myself and “Lost Parks” Producer, Nicholas Laschkewitsch (who is also the ACE NorCal Asst. Regional Rep) taking in a ride.


Gold Striker NOW OPEN at California’s Great America

Yes, it’s official. As of this afternoon, the Gold Rush has officially met your adrenaline rush – GOLD STRIKER at California’s Great America is now offically OPEN TO THE PUBLIC!

Look for a full media review in the next few days – but for now, get out and enjoy Gold Striker at California’s Great America!

Gold Striker at California's Great America

Gold Striker is officially open to the public!

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Photo of the Day: Thunder Run at Six Flags Kentucky Kingdom

Thunder Run at Six Flags Kentucky Kingdom. Photo (c) 2013 Great american Thrills and Kris Rowberry

Just shouting distance from both Churchill Downs and sitting between the flight path to Louisville Int’l Airport, (Then) Six Flags Kentucky Kingdom had a tough life. The park was poorly designed, owing to it’s confusing layout and bisected sections. While it WAS part of the Six Flags chain, it stood on state fair land – and had to relinquish control (and profits) of all it’s rides and attractions for two weeks, while the state fair was occurring.

When I visited in 2008, the back half the park was closed due to financial reasons. The park closed that next year.

Closed for several years now, Kentucky Kingdom park is looking to make a comeback in the next few months by re-launching without a major brand behind it. (I.E. it is no longer part of the Six Flags brand).

Ed Hart, the former park president who famously posed for this photo,will once again head operations.

Thunder Run at Six Flags Kentucky Kingdom. Photo (c) 2013 Great american Thrills and Kris Rowberry

Thunder Run was a highlight of the park, even in the “lean” years before it closed.

As always, a big thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

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Photo of the Day: Tatsu at Six Flags Magic Mountain

Tatsu at Six Flags Magic Mountain. Photo (c) 2013 Great american Thrills and Kris Rowberry

When you build a ride at Six Flags Magic Mountain, there’s an expectation that it has to be bigger and badder than the rest. Tatsu is definitely one of those coasters.

Built on the top of the large hill that defines the park, Tatsu is easily the most intense flying coaster built by Bolliger and Mabillard. I dare you to find a better lift on a ride – as you climb, the terrain falls below you, giving the illusion of rising much faster than you actually are!

Tatsu at Six Flags Magic Mountain. Photo (c) 2013 Great american Thrills and Kris Rowberry

When it opened, Tatsu featured the largest inversion on a flying coaster – the VERY intense “pretzel loop” element.

As always, a big thanks to my friends at BorrowLenses for allowing me to capture such beautiful photos with their gear.

Interested in purchasing / using some of my photos? Check out my 500px: http://500px.com/GreatAmericanThrills

View my videos on YouTube: http://www.youtube.com/user/GreatAmericanThrills

Follow me on Facebook: http://www.facebook.com/GreatAmericanThrills

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Man Allegedly Loses $2600 at Carnival Game

This "Rasta Banana" was worth so much to a man, that he blew his life savings trying to win it.

This “Rasta Banana” was worth so much to a man, that he blew his life savings trying to win it.

If there were a dumb guy Olympics, this dude just ran away with all the medals…

Henry Gribbohm claims that at a recent carnival he attended, he lost $2,600 playing a game called “Tubs of Fun.”

And you thought carnival barkers were good at stretching the truth.

In the game, contestants attempt to toss balls into a tub. Apparently, Gribbohm had been practicing the game at home for weeks before the fair – but when it was game time – the results weren’t so good.

Considering the game offers one of the largest prizes at the fair, it should have been fair warning that this wasn’t going to be a cake walk. Predictably, all of Gribbohm’s attempts failed.

But that didn’t stop him, no sir. According to Gribbohm, he kept trying to win back his money by going double or nothing, something that even a carnie wouldn’t dare try (Especially considering that’s gambling!) He also claimed that because he was causing such a large scene and drawing in people, the operator of the game, “…promised me a Xbox.”

Really?

“He dropped $300 in just a few minutes and said he went home to get $2,300 more and soon lost all of that as well,” according to a local TV station.

“It’s not possible that it wasn’t rigged,” he said. “For once in my life, I happened to become that sucker.”

Understatement of the century there. You think they just give these quality items away?

Apparently, Gribbohm went back the next day to complain and the man running the game gave him back $600 – which at least validated his claim that he did spend wayyy too much money on a giant banana.  Despite getting back $600 that he never should have, he still filed a report with the police.

Gribbohm said that he’s considering a lawsuit. I wonder if he realizes that he can’t win there, either.


Gold Striker *ACTUAL REVIEW* at California’s Great America

Gold Striker - www.greatamericanthrills.net

“Wow.”

That’s the word most people were saying after they got off Gold Striker this evening. While not open to the public yet, California’s Great America invited people, including yours truly, to come out and participate in a promo shoot for commercials and still advertising.

Gold Striker - www.greatamericanthrills.net

Gold Striker looms large over Carousel Plaza and the front entrance to the park.

Folks, this ride is the REAL DEAL and is setting up to be a real “sleeper hit” across the country. Most people know Great America as a park that seems to enjoy removing rides rather than building them. Gold Striker might just make you forgive them (maybe).

The fun starts before you get to the lift hill (that’s right, BEFORE you get to the lift hill!) Folks in the rear seats will appreciate the incredible whip of the turnaround out of the station, which could be the tightest I’ve ever seen taken at speed before on a woodie) and those in the front seat will appreciate the airtime (yes, I said AIRTIME) on the bunny hill before the lift.

After ascending the lift, riders enter the “initial descent tunnel” and that’s where all hell breaks loose. The ride is fast, noisy and the effect of blasting out fo the tunnel is impossible to describe.

From there the ride does a VERY close flyby of the station stairs, giving wonderful photo / video opportunities. A floater hill and a few head choppers later, the ride finds it’s speed…and keeps it until the brake run.

I don’t want to completely ruin the ride for you, but know that there are many “pops” of air on this ride, usually to set you up for another element. Call it a “tag team coaster” because they work perfectly together.

Coming into the final turn, you hit the magnetic (it’s Silicon Valley, gotta have some technology) and then back to the station. Pictorium fans will be saddened to learn that two of the entrances have been demolished, but the building itself still stands.

Gold Striker - www.greatamericanthrills.net

“Millennium Flyer” trains harken back to the “Golden Age” of coaster design. The trains are Gold / Red, Red Gold – in 49ers shades.

To quote my ride mate for this marathon session, “Airtime is back with GCI.”

We squeezed in nine (9) rides before the park shut down the line. Average wait times were 15 minutes, shrinking as more and more of the general public left. This ride is NOT EASY to marathon, but for all the RIGHT reasons. It is INTENSE, BREAKNECK PACED and to be quite honest, many of us in attendance were pinching ourselves, wondering how we got this ride to come here in the first place.

So, in conclusion…

This is a winner all-around for a park more recently known for REMOVING rides than ADDING them. Be prepared for sharp transitions, “set up” surprises and well-timed elements. The ride is smooth with little attitude. This is not an, “airtime machine” but it has well over 8-10 (I kept losing count) pop airtimes. There are moments when you’re riding only on up-stops.

Now, you can take your kids on Grizzly as a warm up and test their (and your) mettle on Gold Striker.

In my opinion, this coaster could EASILY take on El Toro in national polls and in many cases it should WIN.

The ONLY thing missing from this ride…is YOU!

To learn more about Gold Striker or to purchase tickets to the park, visit www.cagreatamerica.com

Gold Striker logo


Shameless Plugs

As I continue to upgrade the brand and it’s overall presence, I’ve made a major move in terms of my photography.

In addition to now working with www.BorrowLenses.com as my sole provider of camera equipment (I also work FOR them, hence the partnership) I’ve moved most of my photo collection over to 500px.

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You can view my latest photos, download and even purchase them at: www.500px.com/GreatAmericanThrills


Featured Post on BorrowLenses Blog

Hey everybody!

I was just featured on the BorrowLenses.com blog, giving away some of my Top Ten Amusement Park Photo Tips. (Hint – use a nice camera and have tons of patience!)

You can find the link to the blog post by clicking here:

Featured Story on BL Blog

Or using this hyperlink:

http://www.borrowlenses.com/blog/2013/04/top-ten-tips-for-amazing-amusement-park-photography/


It’s a Small, Litigious World After All!

It’s a world of laughter, a world of tears; Its a world of hopes, its a world of fear; There’s so much that we share, that its time we’re aware…
“…its a small world after all!”

You might want to add, “It’s a world of lawsuits” to that refrain as well.

Late last week, Disney got an early Easter present, in the form of an $8,000 judgement against them for not being able to evacuate a man off the ride for over 30 minutes. (The ride itself is anywhere from 12-15 minutes long normally).

Considering how much other Disney lawsuits have been settled for, this one just might feel like a present to settle so low.

So, how did we get here? Well, back in 2009, Jose Martinez, found himself stuck in the final “room” of the attraction the day after Thanksgiving. As per standard operating procedure, Disneyland employees were able to evacuate all the passengers from the ride…except Martinez – who is confined to a wheelchair due to paralysis.

According to Martinez’s attorney, he suffers from panic attacks and high blood pressure, “…both of which became issues as he sat in the boat (with the song) playing over and over and over.” He added, “(Martinez) He was half in the cave of the ride and half out,” Geffen said. “The music was blaring. They couldn’t get it to go off.”

Apparently, Disneyland employes were unable to evacuate the wheelchair-bound Martinez and opted to try and fix the ride to get him back to the ride platform.

Now this is where I get to the litigious point of my article…

Martinez’s attorney continued, “This is a really important ruling not just for (Martinez), but for anyone that rides the rides at Disneyland — because they do break down often and they do not tell people.” Anyone who’s ever visited Disney Parks know that the ride operators are some of the best in the business. As SOON as a ride breaks down, announcements are made and cast members generally walk out to the attraction (when they can) to speak with guests and re-assure them that everything is okay.

The next quote finally broke me: “The court’s saying that this kind of injury is foreseeable and that (Disneyland) has a duty to warn people,” Geffen said.

Now, this ruling is significant – as you’ll remember previously that just a few weeks ago, I wrote about a similar lawsuit that was thrown out AND became part of case law. You can find that post here: “Ride at your own Risk!”

Ironically, the attraction – which was added in 1960, after the World’s Fair – was created in the hopes of spreading world peace via the youth of the world.

Apparently, it now should incite fear.

And really, Disney itself has played on this fear, which has made it more of a cult attraction that ever before. Remember these scenes from “The Lion King” trilogy? (Yes, they made three of them under Eisner’s rule)

And legally, we have to state that these clips of copyrighted material are being used under the “Fair use Doctrine” of copyright law, for discussion, criticism, education or parody. In this case, we’re using them as examples of Disney making fun of itself to educate the readers of this blog. We’ve even shortened the clip playtime to the smallest possible to make our point.

So beware, small world riders – you could find yourself in court the next time a ride song traumatizes you!


Why Buy New – When You Can Buy USED?

Fans of the Santa Cruz Beach Boardwalk should recognize this coaster “under construction.”

Hurricane

Yep, it’s the former Hurricane, with a new coat of paint and in a MUCH LESS salty environment (Not to mention drier, too!)

When old roller coaster or thrill ride eventually gets retired (Woodies are the lone exception – as they’re constantly being replaced) many of them are actually sold to smaller, “mom and pop” parks where they’re appreciated for many years after their first installation.

There’s even websites, such as this one, which could be considered the “Craiglist” of the Coaster – where all sorts of new and used rides are bought, sold and traded between parks.

So unless your favorite ride was completely torn down…

Son of Beast

…there’s a good possibility that it was just “re-located.”

Now, the thrill of the chase is on!


The art of the on-ride photo

In a way, they’ve become more than just part of the amusement park experience – they have become attractions in their own right…

The on-ride photo – a way for parks to make more money off you – and a way to prove to Grandma and your friends that you really did ride “The Comet” after all…

The magnum opus of these cameras is surely mounted upon Disney’s Splash Mountain. Just about everyone has heard of “Flash Mountain” a place where  fans (and even Disney employees) would post photos of ladies showing off their “Zip a Dee Doo Dahs” during the climactic final plunge on the flume.

Sadly, showing your “Briar Patches,” – while hilarious – can get you kicked out of the park. And the photo it took? Deleted forever before anyone could see or print it.

Unfortunately, some of these stunts (as funny as they can be) are also quite dangerous. Loose objects in the past decade have contributed to significant injuries or even malfunctions of rides. Plus, parks’ aren’t huge fans of saddling more liability insurance because you and your dumb little buddies decided to sneak a RAZOR aboard the ride…

So, here now are some of the best (SAFE) on-ride photos from around the web:

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Why not get the whole family involved?

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Space Mountain never looked so…interesting?

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Ah yes – the singular “group” pose – always a classic!

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The eyes tell the story!

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Now if only they were on Ghostrider – this would be totally in theme with the ride!

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I really don’t know where to start with this one – it’s perfect in every way! DeNiro battles the Russians on his namesake, with press and fans behind them! (Even the ref has GLOVES on!)

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Don’t you wish your girlfriend was as awesome as her?

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No, this is NOT photoshopped – talk about timing!

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Well, the Beast IS the longest roller coaster in the US – over 30 years after it opened. Is it really that boring, though?

(I certainly don’t think so!)

Continuing with the “boring” theme – here’s my good pals the LaPutka’s doing their best on-ride pose via Splash Mountain!

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“Dad, whatever you do – please don’t embarrass me in front of my friends!”

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“Just catching up on the news while we plummet down to the Briar patch…”

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And finally – what better way to finish this post than with a Tebow Tower of Terror!


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New Banners!

If you’ve gone around the site lately, you’ve noticed our new, spruced up banners.

Which one is your favorite? Be sure to comment below!

Special thanks to my employer, BorrowLenses for allowing us to take awesome camera equipment out on the weekends! All the photos you see below (except for the second to last one) were shot using BL equipment!

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Disney Bans Unaccompanied Kids

After over 55 years in business, “the Happiest Place on Earth” is no longer a playground for unsupervised tweens.

Sorry tweens, Disney Parks are for families, not you!

Sorry tweens, Disney Parks are for families, not you!

Disney yesterday, announced that they would no longer allow children under the age of 14 to roam the park without parental accompaniment.

At first, it SOUNDS terrible, borderline insane. I mean, how could a Disney Park ban KIDS? Wasn’t that the point they were built, so we could all be children at heart? But then, after reading into it a bit more, not only can I understand the move – I APPLAUD IT.

Consider for a moment, the last time you went to, say a Six Flags. Their marketing is heavily focused on the under 18 market, especially for season pass sales. Remember all those annoying tweens in the park – blasting their cell phones on speaker so that EVERYONE in line could hear their favorite song? Cutting in line, being generally “rebellious” (or at least what that generation thinks is rebellious?).

After you’ve just paid $119 per PERSON to experience the Disneyland Resort for JUST ONE DAY – do you really want to have that same experience?

I didn’t think so. And neither should you.

For some Disney parks are going to be harder to get into than Club 33!

For some Disney parks are going to be harder to get into than Club 33!

Let’s face it, some parents use amusement parks as a de-facto babysitter. It’s apparently a $600 investment (Annual Pass approximate cost) in sanity it’s much easier for the Mom and Dad to dump you off at an amusement park for the day, than deal with your pre-pubescent problems. This is exactly what Disney wants to stop, even if it means sacrificing a few Annual Passholders to Knott’s Berry Farm, a few miles up. “the 5.”

It’s rare that a park will turn down easy money (Holiday World in Indiana does it all the time by offering free parking, free soda and free sunscreen) but considering how much The Walt Disney Company made in the time it took you to read the word “DISNEY” in this sentence – they can afford to purge themselves of such a small (but noisy and noticeable) market group.

And hey, since you can’t dump your kids off at the park anymore, you’ll just have to buy a ticket for yourself and – GASP – try to enjoy a little together-time as a family. Ahhh!

Remember when that was the point of going to Disneyland?


“Ride at your own risk!”

The ornate, Orleans-inspired entrance to the attraction in question.

The ornate, Orleans-inspired entrance to the bumper cars that are at the heart of the lawsuit.

Today was a victory for amusement parks and fans alike – the California Supreme Court has ruled in favor of amusement parks and ride operators, by throwing out a lawsuit against (then) Paramount’s Great America that involved their bumper cars.

At issue was the “assumption of risk” associated with going to an amusement park and whether or not one could sue a park if you were injured on a ride through no fault of the park. (I.E. the rides were maintained properly, but you still became injured.)

According to court documents, Smriti Nalwa, a local OB-GYN was on the “Rue le Dodge” bumper cars at Paramount’s Great America back in 2005, with her son, who was maneuvering the vehicle. To say you “drive” a bumper car is a bit of a misnomer…

Continuing through the court documents, near the end of the ride cycle, which generally lasts for about a minute, “(the) plaintiff’s bumper car was bumped from the front and then from behind.  Feeling a need to brace herself, (the) plaintiff put her hand on the car’s “dashboard.”  That’s when she realized her wrist was fractured.

The lawsuit originally claimed that the park was negligent in preventing injuries to riders and that the park knowingly operated a ride that caused injuries. A lower court found the park not liable, but upon appeal, the decision was reversed.

According to the dissenting judge in the original appeals case, “Low-speed collisions between the padded, independently operated cars are inherent in—are the whole point of—a bumper car ride.”

Even Nalwa agreed with industry experts and fans, when in her deposition said, “The point of the bumper car is to bump…you pretty much can’t have a bumper car unless you have bumps.”

The court found that while these impacts were not highly dangerous, but that sudden changes in speed and direction do carry an inherent risk of minor injuries. To change this portion of the ride would be eliminating the very character of the ride itself.

The dissenting judge continued, “Imposing liability would have the likely effect of the amusement park either eliminating the ride altogether or altering its character…the fun of bumping would be eliminated, thereby discouraging patrons from riding. Indeed, who would want to ride a tapper car at an amusement park?”

In a small portion of cases such as these, our understanding of technology and safety is improved. For instance, after several situations where people were falling or being pushed onto loading tracks in stations, parks installed the ubiquitous “air gate” preventing soon-to-be riders from falling or getting shoved into the path of an oncoming train.

But because the industry is self-policed (I.E. a “killer” ride no longer has the appeal of the 1920’s), most of these lawsuits have done nothing but drive up the cost of business and removed (or renovated for the worse) attractions.

People DO get injured at parks, yes. But they also get injured at home, in their beds and in the shower, too. Yet, you don’t see lawsuits from those events. Why should a park be any different?

Even the court said, “Head-on bumping was prohibited on the Rue le Dodge ride, a safety rule the ride operators were to enforce by lecturing those they saw engaging in the practice and, if a guest persisted in head-on bumping, by stopping the ride and asking the person to leave.”

What was not discussed in the court papers was the possibility of a pre-existing condition. For all we know, Nalwa could have already had a hairline fracture that was aggravated by riding the bumper cars. This is not unheard of, as a child with a pre-existing heart condition died on Mission: Space at Epcot in Florida several years ago.

So clearly, someone broke the rules, they rammed a car head-on. So how, exactly is that the parks’ responsibility? If you or a member of your family was rear ended on the freeway, would you sue the state for providing the venue for the crash?

Let’s face it, more people are hurt or die DRIVING to amusement parks each year than inside them.

So, did someone get needlessly injured?

Rue le Dodge at Paramount's Great America (2004)

Rue le Dodge at Paramount’s Great America (2004)

Yes.

Do I feel bad that she was injured?

Of course.

Should the park be responsible for other’s behavior in the park, or even a pre-existing condition that Nalwa may have not been unaware of?

Absolutely NOT!

I applaud the decision of the California Supreme Court, because by making this decision, they have re-affirmed our right to have traditional fun, without needless lawsuits ruining it for everyone else.